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	<title>art works reproduction wholesales</title>
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	<description>this blog provide a list about wholesales of  artwork reproduction service from China.we also offer information about artistes,art works,art galleries and so on.</description>
	<pubDate>Mon, 17 Nov 2008 09:59:10 +0000</pubDate>
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		<title>Pan-Art Oil Paintings -China wholesaler</title>
		<link>http://www.oilpaintingsellers.com/pan-art-oil-paintings-china-wholesaler/</link>
		<comments>http://www.oilpaintingsellers.com/pan-art-oil-paintings-china-wholesaler/#comments</comments>
		<pubDate>Mon, 17 Nov 2008 09:59:10 +0000</pubDate>
		<dc:creator>oilpainting</dc:creator>
		
		<category><![CDATA[oil painting wholesalers]]></category>

		<category><![CDATA[hong kong wholesaler]]></category>

		<category><![CDATA[Mirrors]]></category>

		<category><![CDATA[oil paintings]]></category>

		<category><![CDATA[picture frame]]></category>

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		<description><![CDATA[Pan-Art Oil Paintings Co. Ltd  is a supplier of hand-painted oil paintings, frames and mirrors. We have been in business since 1979 and have customers all over the world. We have artists that specialize in all subject areas including portrait, old masters, landscapes, still life, street scenes, abstract, animals and special custom orders. We [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Pan-Art Oil Paintings Co. Ltd</strong>  is a supplier of hand-painted oil paintings, frames and mirrors. We have been in business since 1979 and have customers all over the world. We have artists that specialize in all subject areas including portrait, old masters, landscapes, still life, street scenes, abstract, animals and special custom orders. We welcome customers large and small-we have no minimum order.</p>
<p><strong>Product/Services:  	Oil Paintings, Picture Frame, Mirrors  </strong><br />
We welcome you to visit us at our office-showroom in Hong Kong.</p>
<p>6th Floor, Daily House<br />
35-37 Haiphong Road<br />
Tsim Sha Tsui, Kowloon<br />
Hong Kong<br />
Tel: (852) 2376-0849<br />
Fax: (852) 2376-2455<br />
Email: sales@pan-art.com.hk</p>
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		<item>
		<title>Likekey Oil Painting Gallery-China wholesaler</title>
		<link>http://www.oilpaintingsellers.com/likekey-oil-painting-gallery-china-wholesaler/</link>
		<comments>http://www.oilpaintingsellers.com/likekey-oil-painting-gallery-china-wholesaler/#comments</comments>
		<pubDate>Thu, 13 Nov 2008 09:55:51 +0000</pubDate>
		<dc:creator>oilpainting</dc:creator>
		
		<category><![CDATA[oil painting wholesalers]]></category>

		<category><![CDATA[abstract oil painting]]></category>

		<category><![CDATA[animal oil painting]]></category>

		<category><![CDATA[Custom Oil Painting From Photo]]></category>

		<category><![CDATA[decoration oil painting]]></category>

		<category><![CDATA[impressionism]]></category>

		<category><![CDATA[landscape oil painting]]></category>

		<category><![CDATA[Med Oil Painting]]></category>

		<category><![CDATA[portrait oil painting]]></category>

		<category><![CDATA[still life oil painting]]></category>

		<category><![CDATA[Venice Oil Painting]]></category>

		<guid isPermaLink="false">http://www.oilpaintingsellers.com/?p=96</guid>
		<description><![CDATA[Likekey Oil Painting Gallery is one of powerful handmade oil painting manufacturer and wholesaler in HK with a great many senior &#038; experienced artists working in it in expert skills.
We have been very successful in offering our customers the oil painting reproductions of varieties in styles and motifs of the customers request in real oil [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Likekey Oil Painting Gallery</strong> is one of powerful handmade oil painting manufacturer and wholesaler in HK with a great many senior &#038; experienced artists working in it in expert skills.<br />
We have been very successful in offering our customers the oil painting reproductions of varieties in styles and motifs of the customers request in real oil stroke on canvas with most prompt delivery satisfaction such as TNT, UPS, DHL, FEDEX or by air to airport, which help us win great popularity among customers. Our works have been exported to North America, West Europe, Africa and Middle East etc. There are more than 20 countries.<br />
At present we can offer various subjects and sizes at different rates according to your interest such as Portrait, Custom oil painting from photos, Animal, Garden Scenes, Street Scenes, Landscape, Seascape, Flowers, Still Life, Mediterranean, Venice, Impressionist, Nude, Modern, Abstract Oil Painitng, etc.<br />
For more details of us, please kindly visit our web or contact us directly. Any inquiries from you will get our prompt and serious response. We sincerely hope to establish our direct business realations.<br />
<span id="more-96"></span><br />
<strong>Product/Services:  	Abstract Oil Painting, Venice Oil Painting, Med Oil Painting, Animal Oil Painting, Landscape Oil Painting, Custom Oil Painting From Photo, Portrait Oil Painting, Impressionism, Still Life Oil Painting, Decoration Oil Painting</strong></p>
<p>Address : Room 1303, New Ocean Centre, No 9 Science Museum Road, Kowloon, Hong kong</p>
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		<item>
		<title>Georgia O&#8217;Keeffe</title>
		<link>http://www.oilpaintingsellers.com/georgia-okeeffe/</link>
		<comments>http://www.oilpaintingsellers.com/georgia-okeeffe/#comments</comments>
		<pubDate>Wed, 12 Nov 2008 09:50:35 +0000</pubDate>
		<dc:creator>oilpainting</dc:creator>
		
		<category><![CDATA[oil painting wholesalers]]></category>

		<category><![CDATA[American]]></category>

		<category><![CDATA[Georgia O'keeffe]]></category>

		<category><![CDATA[Modern American School]]></category>

		<category><![CDATA[OKeeffe]]></category>

		<category><![CDATA[top30-artist]]></category>

		<guid isPermaLink="false">http://www.oilpaintingsellers.com/?p=159</guid>
		<description><![CDATA[Nobody sees a flower, really, it is so small. We haven&#8217;t time - and to see takes time like to have a friend takes time.
If I could paint the flower exactly as I see it no one would see what I see because I would paint it small like the flower is small. So I [...]]]></description>
			<content:encoded><![CDATA[<blockquote><p>Nobody sees a flower, really, it is so small. We haven&#8217;t time - and to see takes time like to have a friend takes time.</p>
<p>If I could paint the flower exactly as I see it no one would see what I see because I would paint it small like the flower is small. So I said to myself - I&#8217;ll paint what I see - what the flower is to me but I&#8217;ll paint it big and they will be surprised into taking time to look at it - I will make even busy New Yorkers take time to see what I see of flowers.</p>
<p>&#8230;Well, I made you take time to look at what I saw and when you took time to really notice my flower you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower - and I don&#8217;t.<br />
- Georgia O&#8217;Keeffe</p></blockquote>
<p><img src="http://upload.wikimedia.org/wikipedia/commons/thumb/2/2a/Georgiaokeefe.jpg/220px-Georgiaokeefe.jpg" alt="Georgia O'Keeffe" /></p>
<p><a href="http://www.oilpaintingsellers.com/tag/okeeffe">Georgia O&#8217;keeffe</a> (1887 - 1986) Biography:<br />
Georgia Totto O&#8217;Keeffe (November 15, 1887—March 6, 1986) was an American artist. She is associated with the American Southwest, where she found artistic inspiration, and particularly New Mexico, where she settled late in life. O&#8217;Keeffe has been a major figure in American art since the 1920s. She is chiefly known for paintings in which she synthesized abstraction and representation in paintings of flowers, rocks, shells, animal bones and landscapes. Her paintings present crisply contoured forms that are replete with subtle tonal transitions of varying colors. She often transformed her subject matter into powerful abstract images.<span id="more-159"></span></p>
<p><img src="http://www.ellensplace.net/tent.jpg" alt="Tent Door at Night, 1913" /><br />
Tent Door at Night, 1913</p>
<p><img src="http://www.ellensplace.net/ok_abst2.jpg" alt="Abstraction IX, 1916" /><br />
Abstraction IX, 1916<br />
<img src="http://www.ellensplace.net/ok_str2.jpg" alt="Evening Star VI, 1917" /><br />
Evening Star VI, 1917<br />
<img src="http://www.ellensplace.net/canyon.jpg" alt="Canyon with Crows, 1917" /><br />
Canyon with Crows, 1917<br />
<img src="http://www.ellensplace.net/maple.jpg" alt="Old Maple, Lake George 1926" /><br />
Old Maple, Lake George 1926<br />
<img src="http://www.ellensplace.net/ok_iris.jpg" alt="Iris, 1929" /><br />
Iris, 1929<br />
<img src="http://www.ellensplace.net/ok_wflow.jpg" alt="White Trumpet Flower, 1932" /><br />
White Trumpet Flower, 1932<br />
<img src="http://www.ellensplace.net/city.jpg" alt="City Night, 1926" /><br />
City Night, 1926<br />
<img src="http://www.ellensplace.net/l_tree.jpg" alt="The Lawrence Tree, 1929" /><br />
The Lawrence Tree, 1929<br />
<img src="http://www.ellensplace.net/frag.jpg" alt="Fragment of the Ranchos de Taos Church, 1929" /><br />
Fragment of the Ranchos de Taos Church, 1929<br />
<img src="http://www.ellensplace.net/ok_cros1.jpg" alt="Bell/Cross, Ranchos Church, 1930" /><br />
Bell/Cross, Ranchos Church, 1930</p>
<p>Artnews Articles and Exhibition Information</p>
<p><span class="font10b">National Gallery of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/04/10/26816.html">O&#8217;Keeffe on Paper</a><br />
It also commemorates the publication of the Georgia O&#8217;Keeffe catalogue raisonné, a scholarly project of the National Gallery of Art in collaboration with The Georg&#8230; </span><br />
<span class="font10b">Muscarelle Museum of Art, College of William and Mary:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/02/01/28026.html">Georgia O&#8217;Keeffe in Williamsburg: A Re-Creation of the Artist&#8217;s First Public Exhibition</a><br />
While she is most often associated with the state of New Mexico, O’Keeffe actually lived with her family in Williamsburg, Va., between 1903 and 1909, and her two brothers attended William and Mary. After high school, O’Keeffe left Williamsburg to &#8230; </span><br />
<span class="font10b">Victoria and Albert Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2003/11/10/31527.html">Alfred Stieglitz: Photographs and Photogravures from the Georgia O&#8217;Keeffe Foundation</a><br />
The Foundation is a non-profit organisation dedicated to the artistic legacy of Georgia O&#8217;Keeffe. Stieglitz, one of America&#8217;s most influential photographers, was known internationally as an advocate of modernism. One of the principal object&#8230; </span><br />
<span class="font10b">Georgia O&#8217;Keeffe museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/08/25/25871.html">GEORGIA O’KEEFFE: THE POETRY OF THINGS </a></span></p>
<p><span class="font10">Co-organized by the Phillips Collection in Washington, D.C. and the <a href="http://www.dm-art.org/">Dallas                              Museum of Art</a>, Georgia O&#8217;Keeffe: The Poetry of Things will also travel to the                              &#8230; </span><br />
<span class="font10b">Georgia O&#8217;Keefe Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/08/20/27349.html">VIRTUOSO WORKS ON PAPER BY GEORGIA O&#8217;KEEFFE</a><br />
The exhibition is organized by the Georgia O&#8217;Keeffe Museum, Santa Fe,                              and the National Gallery of Art, Washington DC. It is made possible by The                              Burnett Foundation, the Henry Luce Foundat&#8230; </span><br />
<span class="font10b">McMichael Canadian Art Collection:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/06/29/28780.html">Carr, O&#8217;Keeffe, Kahlo: Places of Their Own</a><br />
Places of Their Own, was inspired by Dr Sharyn Udall&#8217;s book of the same name. Dr Udall, of New Mexico is our guest curator and brings to the exhibition not only her extensive knowledge of Carr, Kahlo and O&#8217;Keeffe&#8217;s art, but also additional in&#8230; </span><br />
<span class="font10b">Memphis Brooks Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2003/02/24/30767.html">O&#8217; So Calla Lilly - The Brooks Presents Georgia O&#8217;Keeffe</a><br />
The exhibition&#8217;s eight paintings by O&#8217;Keeffe, five by Hartley, and one by Demuth acknowledge the importance of this subject to the Stieglitz circle of modernist artists. O&#8217;Keeffe became known as &#8220;The Lady of the Lily&#8221; in the 1920s because o&#8230; </span><br />
<span class="font10b">New Mexico Photography Field School:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2002/05/24/29952.html">Call for Artists: Finding Georgia O&#8217;Keeffe - Photographing the Painter‚s Landscape</a><br />
For 15 years now, the New Mexico Photography Field School has offered exceptional photographic workshops based on the history, character and beauty of New Mexico - truly the State of Enchantment. The School is directed by Craig Varjabedian, a fin&#8230; </span><br />
<span class="font10b">Albright-Knox Art Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/12/23/27861.html">Photographs of Artists</a><br />
Don&#8217;t miss this opportunity to come face                                                                  to face with artists represented in the Gallery&#8217;s collection                                                                  such as Henri&#8230; </span><br />
<span class="font10b">Vancouver Art Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2002/06/18/30019.html">Carr, O&#8217;Keeffe, Kahlo: Places of Their Own</a><br />
The Vancouver Art Gallery retains one of the most significant Emily Carr collections in the world and is justifiably proud to present this outstanding exhibition. Comprising 56 paintings, the exhibition was inspired by Dr. Sharyn Udall&#8217;s book of t&#8230; </span><br />
<span class="font10b">New Mexico Photography Field School:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/02/21/28129.html">2001 Workshop Offerings Announced</a><br />
2001 Schedule includes:  THE POSSIBILITIES OF CAMERA FORMAT: Making Photographs with the Large, Medium and Panoramic Camera, June 4 through 10, with Craig Varjabedian and Steve Goff.  UNDER A MOST BRILLIANT NEW MEXICO SKY, June 18 thro&#8230; </span><br />
<span class="font10b">Art Gallery of New South Wales:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/12/04/29420.html">Len Lye: Experimental Filmmaker, Sculptor, Photographer and Writer</a><br />
&#8216;the least boring person who ever lived&#8217; Poet Alistair Reid As an experimental filmmaker, sculptor, photographer and writer, Len Lye was a diverse original, eccentric and celebrated artist.  Commemorating the centennial year of his birth, &#8230; </span><br />
<span class="font10b">Scottish National Portrait Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/03/12/28223.html">Thomas Carlyle: A Hero of His Time</a><br />
Born in Ecclefechan, the son of a stonemason, Carlyle was educated at Edinburgh University and became one of the most prolific and influential writers of the nineteenth century. A man of passionate convictions, he was regarded by his contemporari&#8230; </span><br />
<span class="font10b">Iris &amp; B. Gerald Cantor Center for Visual Arts, Stanford University:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2004/01/14/31714.html">The Artist Observed: Portraits and Self-Portraits</a><br />
Included are works by such influential artists as Anthony Van Dyck, Rembrandt van Rijn, Giovanni Benedetto Castiglione, James McNeill Whistler, Auguste Rodin, Oskar Kokoschka, and Ansel Adams. Their observations create a lively narrative across fo&#8230; </span><br />
<span class="font10b">Whitney Museum of American Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2002/07/01/30061.html">Visions from America: Photographs from the Whitney Museum of American Art, 1940-2000</a><br />
Curator Sylvia Wolf&#8217;s selection focuses on artists who live and work in this country. Portraits, landscapes, street photographs, and genre subjects will be featured, including works by Vito Acconci, Diane Arbus, Matthew Barney, Dawoud Bey, Nancy B&#8230; </span><br />
<span class="font10b">Terra Museum of American Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2003/03/19/30853.html">The People Work: American Perspectives 1840-1940</a><br />
&#8220;By exploring diverse representations from the Terra Foundation for the Arts collection and several key works on loan, The People Work examines a variety of human activities investigating labor. The exhibition questions common assumptions and atti&#8230; </span></p>
<p>useful links</p>
<ul>
<li><a class="external text" title="http://www.artst.org/okeefe/" href="http://www.artst.org/okeefe/">O&#8217;Keeffe Gallery (221 paintings) at artst.org</a></li>
<li><a class="external text" title="http://lynx.csusm.edu/circlesedge/" href="http://lynx.csusm.edu/circlesedge/">Circle’s Edge</a></li>
<li><a class="external text" title="http://www.metmuseum.org/toah/hd/geok/geok_2.htm" href="http://www.metmuseum.org/toah/hd/geok/geok_2.htm">Color image of aerial-view cloudscape by Georgia O&#8217;Keeffe</a></li>
<li><a class="external text" title="http://video.google.com/videoplay?docid=5677272389162244435&amp;q=nmpbs/" href="http://video.google.com/videoplay?docid=5677272389162244435&amp;q=nmpbs/">Documentary Film, <em>Georgia O&#8217;Keeffe</em></a></li>
<li><a class="external text" title="http://uvu.channel2.org/PublicSite/Video.aspx?id=284&amp;skin=2" href="http://uvu.channel2.org/PublicSite/Video.aspx?id=284&amp;skin=2">Exclusive video of Georgia O&#8217;Keeffe&#8217;s &#8220;Circling Around Abstraction&#8221; exhibit on uVu</a></li>
<li><a class="external text" title="http://www.museumsyndicate.com/artist.php?artist=10" href="http://www.museumsyndicate.com/artist.php?artist=10">Georgia O&#8217;Keeffe Gallery at MuseumSyndicate</a></li>
<li><a class="external text" title="http://www.okeeffemuseum.org/" href="http://www.okeeffemuseum.org/">Georgia O&#8217;Keeffe Museum</a></li>
<li><a class="external text" title="http://worldcat.org/identities/lccn-n79-148946" href="http://worldcat.org/identities/lccn-n79-148946">Works by or about Georgia O&#8217;Keeffe</a> in libraries (<a title="WorldCat" href="http://en.wikipedia.org/wiki/WorldCat">WorldCat</a> catalog)</li>
<li><a href="http://www.okeeffemuseum.org/">Georgia OKeeffe Museum</a><br />
<a href="http://www.ellensplace.net/okeeffe1.html">Georgia OKeeffe - biography, images</a><br />
<a href="http://www.mindspring.com/%7Ejellenc/okeeffe1.html">www.mindspring.com/~jellenc/okeeffe1.html</a><br />
<a href="http://www.highbeam.com/library/search.asp?q=Georgia+oKeeffe&amp;refid=kunstnet">HighBeam Research: Library Search: Results</a><br />
<a href="http://www.postershop.com/OKeeffe-Georgia-p.html&amp;Partnerid=2922">Georgia OKeeffe posters</a><br />
<a href="http://www.searchbooksubject.com/87751_georgia-okeeffe.html">Georgia Okeeffe</a><br />
<a href="http://www.segmation.com/SegPlayChoose.asp?order=alpha&amp;cat=oke">SegPlay Choose</a><br />
<a href="http://www.michelangelo.com/okeeffe">Georgia OKeeffe - selected works</a><br />
<a href="http://www.wbthub.com/Georgia-OKeeffe-6302994381">Georgia OKeeffe</a><br />
<a href="http://okeefe.netfirms.com/">A concise history of the artist Georgia OKeeffe</a></li>
</ul>
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		<item>
		<title>Andy Warhol</title>
		<link>http://www.oilpaintingsellers.com/andy-warhol/</link>
		<comments>http://www.oilpaintingsellers.com/andy-warhol/#comments</comments>
		<pubDate>Wed, 12 Nov 2008 09:12:03 +0000</pubDate>
		<dc:creator>oilpainting</dc:creator>
		
		<category><![CDATA[oil painting wholesalers]]></category>

		<category><![CDATA[American]]></category>

		<category><![CDATA[Andy Warhol]]></category>

		<category><![CDATA[Pop Art]]></category>

		<category><![CDATA[top30-artist]]></category>

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		<description><![CDATA[Andy Warhol (1928 - 1987)Biography:

Born in Pittsburgh, Andy Warhol moved to New York at the age of twenty-one to become a commercial artist. This occupation gave him experience in silkscreen printing, which became he medium of choice. Warhol began making paintings of familiar objects such as soup cans and brillo pads. After a brief period [...]]]></description>
			<content:encoded><![CDATA[<p><strong><a href="http://www.oilpaintingsellers.com/tag/Andy-Warhol">Andy Warhol</a></strong> (1928 - 1987)Biography:<br />
<img src="http://upload.wikimedia.org/wikipedia/commons/a/ab/Andy_Warhol_1977.jpg" alt="Andy Warhol" /><br />
Born in Pittsburgh, <a href="http://www.oilpaintingsellers.com/tag/Andy-Warhol">Andy Warhol</a> moved to New York at the age of twenty-one to become a commercial artist. This occupation gave him experience in silkscreen printing, which became he medium of choice. Warhol began making paintings of familiar objects such as soup cans and brillo pads. After a brief period of hand-painting these works, Warhol began to use mechanical techniques to mass-produce his images. His interest in popular culture expanded as he began to depict celebrities and newspaper clippings in his prints. Warhol also created films and worked with the rock band, The Velvet Underground<span id="more-156"></span></p>
<p>By the beginning of the 1960s, Warhol was a very successful commercial illustrator. His detailed and elegant drawings for I. Miller shoes were particularly popular. These illustrations consisted mainly of &#8220;blotted ink&#8221; drawings (or monoprints), a technique which he applied in much of his early art. Although many artists of this period worked in commercial art, most did so discreetly. Warhol was so successful, however, that his profile as an illustrator seemed to undermine his efforts to be taken seriously as an artist.</p>
<p>In the early 1960s, Warhol tried to exhibit some of his drawings using these techniques in a gallery, only to be turned down. He began to rethink the relationship between his commercial work and the rest of his art. Instead of treating these things as opposites, he merged them, and began to take commercial and popular culture more explicitly as his topic.</p>
<p>Pop Art was an experimental form that several artists were independently adopting; some of these pioneers, such as Roy Lichtenstein, would later become synonymous with the movement. Warhol, who would become famous as the &#8220;Pope of Pop,&#8221; turned to this new style, where popular subjects could be part of the artist&#8217;s palette. His early paintings show images taken from cartoons and advertisements, hand-painted with paint drips. Those drips emulated the style of successful abstract expressionists (such as Robert Rauschenberg). Eventually, Warhol pared his image vocabulary down to the icon itself—to brand names, celebrities, dollar signs—and removed all traces of the artist&#8217;s &#8220;hand&#8221; in the production of his paintings.</p>
<p>To him, part of defining a niche was defining his subject matter. Cartoons were already being used by Lichtenstein, typography by Jasper Johns, and so on; Warhol wanted a distinguishing subject. His friends suggested he should paint the things he loved the most. In his signature way of taking things literally, for his first major exhibition he painted his famous cans of Campbell&#8217;s Soup, which he claimed to have had for lunch for most of his life. The work sold for $10,000 at an auction on November 17, 1971 at Sotheby&#8217;s New York, which is a minimal amount for the artist whose paintings sell for over $6 million more recently.</p>
<p>He loved celebrities, so he painted them as well. From these beginnings he developed his later style and subjects. Instead of working on a signature subject matter, as he started out to do, he worked more and more on a signature style, slowly eliminating the hand-made from the artistic process. Warhol frequently used silk-screening; his later drawings were traced from slide projections. Warhol went from being a painter to being a designer of paintings. At the height of his fame as a painter, Warhol had several assistants who produced his silk-screen multiples, following his directions to make different versions and variations.</p>
<p>Warhol produced both comic and serious works; his subject could be a soup can or an electric chair. Warhol used the same techniques—silkscreens, reproduced serially, and often painted with bright colors—whether he painted celebrities, everyday objects, or images of suicide, car crashes, and disasters, as in the 1962-63 Death and Disaster series. The Death and Disaster paintings (such as Red Car Crash, Purple Jumping Man, and Orange Disaster) transform personal tragedies into public spectacles, and signal the use of images of disaster in the then evolving media.</p>
<p>The unifying element in Warhol&#8217;s work is his deadpan Keatonesque style—artistically and personally affectless. This was mirrored by Warhol&#8217;s own demeanor, as he often played &#8220;dumb&#8221; to the media, and refused to explain his work. The artist was famous for having said that all you need to know about him and his works is already there, &#8220;on the surface.&#8221;</p>
<p>Warhol&#8217;s work as a Pop Artist has always had conceptual aspects. His series of do it yourself paintings and Rorschach inkblots are intended as pop comments on art and what art could be. His cow wallpaper (literally, wallpaper with a cow motif) and his oxidation paintings (canvases prepared with copper paint that was then oxidized with urine) are also noteworthy in this context. Equally noteworthy is the way these works—and their means of production—mirrored the atmosphere at Andy&#8217;s New York &#8220;Factory.&#8221; Biographer Bob Colacello provides some details on Andy&#8217;s &#8220;piss paintings&#8221;:</p>
<blockquote><p>Victor&#8230; was Andy&#8217;s ghost pisser on the Oxidations. He would come to the Factory to urinate on canvases that had already been primed with copper-based paint by Andy or Ronnie Cutrone, who was a second ghost pisser, much appreciated by Andy, who said that the vitamin B that Ronnie took made a prettier color when the acid in the urine turned the copper green. Did Andy ever use his own urine? My diary shows that when he first began the series, in December 1977, he did, and there were many others: boys who&#8217;d come to lunch and drink too much wine, and find it funny or even flattering to be asked to help Andy &#8216;paint.&#8217; Andy always had a little extra bounce in his walk as he led them to his studio&#8230;</p>
<p>– Holy Terror—Andy Warhol Close Up, New York, Harper/Collins, 1990, p. 343</p></blockquote>
<p>Warhol&#8217;s The Last Supper cycle, a deeply religious body of work, was his last series, possibly his largest and &#8220;arguably his greatest&#8221;.[26] It is also the largest series of religious works by any U.S. artist.</p>
<p>Artnews Articles and Exhibition Information:</p>
<p><span class="font10b">California Museum of Photography:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/11/19/29372.html">Queer(ing) Warhol: Andy Warhol&#8217;s (Self-)Portraits</a><br />
Warhol’s influence on contemporary artists and on contemporary perceptions of art is vast. He dealt with issues of photographic truth, consumer culture, and media spectacle years before the age digital imaging and reality TV. By presenting himself&#8230; </span></p>
<p><span class="font10b">Andy Warhol Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/06/05/27046.html">The Warhol Look/Glamour Style Fashion</a><br />
The Warhol               Look/Glamour Style Fashion traces Warhols interest and the               progression of his work from the 1940s through the 1980s. Drawn               primarily from the Museums art and archival collections, the selecti&#8230; </span><br />
<span class="font10b">Andy Warhol Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/03/01/26637.html">Andy Warhol Drawings: 1942-1987</a><br />
It is still widely believed that Warhol                                                           largely stopped drawing after his career as a commercial artist in New                                                           York during the 19&#8230; </span><br />
<span class="font10b">Corcoran Gallery of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/12/06/27791.html">Andy Warhol: Social Observer</a><br />
This exhibition examines the subjects and themes that preoccupied Warhol        throughout his career, from as early as the 1940s to the time of his death in        1987. An artist famous for promoting himself as apathetic, vacuous, and        &#8230; </span><br />
<span class="font10b">Museum of Modern Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2003/05/09/31006.html">Andy Warhol: Screen Tests Presented at MoMA QNS</a><br />
Each of his subjects was shot straight on with a static camera, using no sound and with minimal light that Warhol positioned in increasingly inventive ways to add shade and character to his subjects. The results are as distinct as the subjects &#8230; </span><br />
<span class="font10b">Andy Warhol Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/11/06/27670.html">The Arts of Jean Cocteau</a><br />
The Cocteau exhibition at The Warhol will reflect the far-ranging nature of Cocteau&#8217;s work, including artworks, archival material, films, &#8230; </span><br />
<span class="font10b">Department of States Bureau of Educational and Cultural Affairs:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/02/10/26552.html">Andy Warhol: A Retrospective</a><br />
Andy Warhol: A Retrospective, which opened on January 8 in Almaty, Kazakhstan, has received the support of the President’s Committee for the Arts and Humanities and is designated as an official program of the </span> <a href="http://www.whitehouse.gov/Init..."><br />
<span class="font10b">Louisiana Musuem of Modern Art:</span> </a><span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/04/21/26879.html">Andy Warhol and His World</a><br />
The exhibition opens with photographic documentation of the environment                  that grew up around Andy Warhol’s studio the Factory and the Studio 54                  nightclub in New York. The more than one hundred photos were taken b&#8230; </span><br />
<span class="font10b">Andy Warhol Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/08/06/25763.html">Andy Warhol Museum&#8217;s Community Forums On line</a></span></p>
<p><span class="font10">WHERE DOES LIFE IMITATE DISNEYNULL July 26 - August 29  Moderated by Anna Couey, Telecommunications Artist  Where Does Life Imitate <a href="http://disney.go.com/">Disney</a>NULL From planned housing and suburban malls to virtual worlds of the fu&#8230; </span><br />
<span class="font10b">Andy Warhol Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/11/05/26130.html">Nadar/Warhol: Paris/New York</a><br />
Organized by the <a href="http://www.getty.edu/">Getty Museum</a>, the Nadar/Warhol exhibition will open in Los Angeles at the Getty Center from July 20 through October 10, 1999. It will then travel to The Andy Warhol Museum in Pittsburgh (November 6&#8230; </span><br />
<span class="font10b">Musee del la Mode:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/09/15/25455.html">The Warhol Look/Glamour Style Fashion</a><br />
The work of the other artists, designers, and photographers included in the exhibition has had an important role in the construction and definition of the styles with which &#8230; </span><br />
<span class="font10b">Art Gallery of Western Australia:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/06/24/25456.html">The Warhol Look/Glamour Style Fashion</a><br />
The work of the other artists, designers, and photographers included in the exhibition has had an important role in the construction and definition of the styles with which &#8230; </span><br />
<span class="font10b">Andy Warhol Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2002/03/04/29704.html">Possession Obsession: Objects from Andy Warhol&#8217;s Personal Collection</a><br />
Organized by The Andy Warhol Museum and curated by John W. Smith, archivist for The Warhol, the exhibition will explore the role that collecting played in the artist&#8217;s life and the ways in which it influenced other aspects of his art.   Wa&#8230; </span><br />
<span class="font10b">Andy Warhol Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/03/05/28184.html">Adrian Piper</a><br />
The Warhol will have the opportunity to present a traveling retrospective of Piper&#8217;s work &#8230; </span><br />
<span class="font10b">Walker Art Center:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/08/08/25638.html">Andy Warhol Drawings: 1942-1986</a><br />
Jointly organized by <a href="http://www.diacenter.org/ltproj/warholmu/warholmu.html">The Andy Warhol Museum</a>, Pittsburgh, and the <a href="http://www.kunstmuseumbasel.ch/menueng.htm">Kunstmuseum, Basel</a>, this      retrospective exhibition of near&#8230; </span><br />
<span class="font10b">Edinburgh Printmakers:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2004/07/26/32232.html">Gavin Turk: Faces Portfolio</a><br />
In his “Faces” portfolio, Gavin Turk cleverly plays with Warhol’s legacy. In 1980, for example, Warhol produced prints based on his own photograph of Joseph Beuys, then the only living artist to match his celebrity status. By turning Beuys into &#8230; </span><br />
<span class="font10b">Hauser and Wirth London:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2006/01/27/33645.html">Photographs and Television Shows by Andy Warhol</a><br />
The photographs reveal Warhol’s surprising eye for touching images, such as those of Jean-Michel Basquiat in the company of his mother, enchanting children, as well as key members of the Factory inner circle. A self-portrait of the artist in the a&#8230; </span></p>
<p><span class="font10b">Indianapolis Museum of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/05/01/28494.html">Pop Impact - From Johns to Warhol</a><br />
Considered controversial when it first emerged in the 1950s and 60s, Pop Art broke the         rules by shunning abstraction in general and returning to recognizable subject matter, yet the         subjects Pop artists chose—Coke bottles, billbo&#8230; </span><br />
<span class="font10b">Wadsworth Artheneum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/09/24/25900.html">About Face: Andy Warhol Portraits</a><br />
&#8230; </span><br />
<span class="font10b">Art Pavilion in Zagreb:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/09/11/29109.html">Andy Warhol: A Retrospective</a><br />
Andy Warhol: A Retrospective, which opened on January 8 in Almaty, Kazakhstan, has received the support of the President&#8217;s Committee for the Arts and the Humanities and &#8230; </span><br />
<span class="font10b">Modern Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/02/08/26540.html">In the Power of Painting</a><br />
One common source for Warhol, Polke and Richter is both the thing as an object and images in the media. Twombly and Marden have a more abstract point of departure, gradually producing something like a sign. Bleckner&#8217;s work seems to emerge from his&#8230; </span><br />
<span class="font10b">Photographer&#8217;s Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/08/11/27311.html">Altered States Of America: It&#8217;s A Great Party, A Retrospective of Photographs by Nat Finkelstein</a><br />
Brooklyn-born Finkelstein studied under Alexey Brodovitch and later worked as a    photojournalist for the picture agency Black Star, recording the political activities of the    sub-culture of New York City.      Through hustling magazine &#8230; </span><br />
<span class="font10b">Pennsylvania Acadeny of Fine Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/07/27/27265.html">Andy Warhol: Social Observer</a><br />
<em>Andy Warhol: Social Observer</em> focuses on what the artist looked at, how he looked at those subjects and, in certain situations, how he himself was perceived by the society so inclined to keep its media trained on him. The exhibition is divi&#8230; </span><br />
<span class="font10b">Museum of Contemporary Art, LA:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2002/05/24/29950.html">Andy Warhol Retrospective</a><br />
This exhibition opens May 25 at The Museum of Contemporary Art (MOCA) at California Plaza (250 South Grand Avenue in downtown Los Angeles) and remains on view through August 18, 2002. The exhibition will occupy the entire 25,000 square feet g&#8230; </span><br />
<span class="font10b">Andy Warhol Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2003/08/22/31300.html">Clown Paintings: From the Collection of Diane Keaton</a><br />
On view in the Museum&#8217;s 4th floor gallery, Clown Paintings features dozens of stark white faces, red down-turned mouths and outlined eyes. A caricature of the human condition, the iconic image of the clown provokes both positive and negative re&#8230; </span><br />
<span class="font10b">Moderna Museet:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/11/30/26252.html">Graphic Design: John Melin</a><br />
Among the catalogues are                                   the catalogue for HON (SHE) by <a href="http://www.tinguely.ch/Tinguely.dt.html">Jean Tinguely</a> and <a href="http://www.student.hk-r.se/%7Ehen97akr/hon.html">Niki de                        &#8230; </a></span></p>
<p><a href="http://www.student.hk-r.se/%7Ehen97akr/hon.html"><br />
<span class="font10b">Deluxe-Arts Gallery and Creative Space:</span> </a><span class="font10"><a href="http://www.absolutearts.com/artsnews/2003/11/19/31556.html">Celebrities: Steve Kaufman</a><br />
Former assistant to renowned Pop Artist Andy Warhol, Steve Kaufman&#8230;aka SAK&#8230;is considered one of the most important and talked-about Pop artists or our time. He had his first one-man show at the age of 8, received a scholarship to The Parson&#8217;s &#8230; </span><br />
<span class="font10b">Everson Museum of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/02/20/26591.html">AMERICAN ART SINCE 1946</a><br />
&#8230; </span><br />
<span class="font10b">Andy Warhol Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2002/09/27/30329.html">Strange Messenger: The Art of Patti Smith</a><br />
&#8220;Like Andy Warhol, Patti Smith isn&#8217;t an artist who is easily categorized. She moves fluidly through the genres of music, visual art, and language,&#8221; says John Smith, exhibition curator and archivist at The Warhol. &#8220;Her work and her career defy t&#8230; </span><br />
<span class="font10b">Andy Warhol Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2003/06/13/31124.html">Summer of Andy: Program Celebrates Andy Warhol&#8217;s 75th Birthday</a><br />
Keith Edmier and Farrah Fawcett The exhibition, Keith Edmier and Farrah Fawcett, examines the connection between artist and muse through a series of collaborative sculptures and photographs by contemporary artist, Keith Edmier, and actress a&#8230; </span></p>
<p>Useful links:</p>
<ul>
<li><a class="external text" title="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;GRid=1459" href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;GRid=1459">Andy Warhol&#8217;s biographic sketch</a> at Find A Grave</li>
<li><a class="external text" title="http://www.warholfoundation.org/" href="http://www.warholfoundation.org/">Warhol Foundation</a> in New York, New York.</li>
<li><a class="external text" title="http://www.warhol.org/" href="http://www.warhol.org/">The Andy Warhol Museum</a> in <span class="mw-redirect">Pittsburgh</span>, Pennsylvania</li>
<li><a class="external text" title="http://www.region.sk/warhol/" href="http://www.region.sk/warhol/">Warhol Family Museum</a> in Medzilaborce, Slovakia</li>
<li><a class="external text" title="http://www.warhol.org/tc21" href="http://www.warhol.org/tc21">Time Capsules: the Andy Warhol collection</a></li>
<li><a class="external text" title="http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A6246&amp;page_number=1&amp;template_id=6&amp;sort_order=1" href="http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A6246&amp;page_number=1&amp;template_id=6&amp;sort_order=1">Andy Warhol at the Museum of Modern Art (MoMA)</a></li>
<li><a class="external free" title="http://www.warholstars.org" href="http://www.warholstars.org/">http://www.warholstars.org</a></li>
<li><a class="external text" title="http://www.popartmasters.com/toc.html#masters" href="http://www.popartmasters.com/toc.html#masters">Pop Art Masters - Andy Warhol</a></li>
<li><a class="external text" title="http://www.godspy.com/culture/Andy-Warhol-Transubstantiating-the-Culture.cfm" href="http://www.godspy.com/culture/Andy-Warhol-Transubstantiating-the-Culture.cfm">Transubstantiating The Culture: Andy Warhol&#8217;s Secret</a></li>
<li><a class="external text" title="http://www.adcglobal.org/archive/hof/1994/?id=212" href="http://www.adcglobal.org/archive/hof/1994/?id=212">Art Directors Club biography, portrait and images of work</a></li>
<li><a class="external text" title="http://www.kutv.com/content/blogs/feature/afreshlookonlife/story.aspx?content_id=4d34642a-ee6f-459f-b8e9-dd21d242ef12" href="http://www.kutv.com/content/blogs/feature/afreshlookonlife/story.aspx?content_id=4d34642a-ee6f-459f-b8e9-dd21d242ef12">The story of the fake Andy Warhol lectures</a></li>
<li><a class="external text" title="http://x-traonline.org/past_articles.php?articleID=157" href="http://x-traonline.org/past_articles.php?articleID=157">Critical Response to the 2002 Warhol Retrospective at MOCA in Los Angeles</a></li>
<li><a class="external text" title="http://www.studio360.org/americanicons/episodes/2005/12/08" href="http://www.studio360.org/americanicons/episodes/2005/12/08">&#8220;Warhol, Soup Cans, Cowboys&#8221;</a> (<em>Studio 360</em> radio program, December 10, 2005)</li>
<li>&gt;<a href="http://www.warhol.org/">Warhol</a><br />
<a href="http://www.warhol.dk/">[warhol.dk] The Andy Warhol Homepage</a><br />
<a href="http://www.warholfoundation.org/">Warhol Foundation Home</a><br />
<a href="http://www.artchive.com/artchive/W/warhol.html">Andy Warhol</a><br />
<a href="http://www.artcyclopedia.com/artists/warhol_andy.html">Andy Warhol Online</a><br />
<a href="http://www.warhols.com/">Warhols.com has a large selection of Prints, Drawings and paintings by pop artist Andy Warhol</a><br />
<a href="http://askart.com/artist/w/andy_warhol.asp">Andy Warhol - Artist Painting Prices, Art Appraisal, Artist Paintings [AskART.com]</a><br />
<a href="http://www.fi.muni.cz/%7Etoms/PopArt/Biographies/warhol.html">WWW Pop Art: Andy Warhol</a><br />
<a href="http://www.amazon.com/exec/obidos/ASIN/0446391387">Amazon.com: Books: The Andy Warhol Diaries</a><br />
<a href="http://www.artelino.com/articles/andy_warhol.asp">Andy Warhol Biography</a></li>
</ul>
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		<title>Henri Matisse</title>
		<link>http://www.oilpaintingsellers.com/henri-matisse/</link>
		<comments>http://www.oilpaintingsellers.com/henri-matisse/#comments</comments>
		<pubDate>Wed, 12 Nov 2008 08:23:20 +0000</pubDate>
		<dc:creator>oilpainting</dc:creator>
		
		<category><![CDATA[paint artists]]></category>

		<category><![CDATA[Fauvism]]></category>

		<category><![CDATA[french]]></category>

		<category><![CDATA[Henri Matisse]]></category>

		<category><![CDATA[top30-artist]]></category>

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		<description><![CDATA[I have painted almost 1,200 pictures. More than 2,500 of them are in the USA. &#8211; Henri Matisse

Biography:
Henri Matisse was employed as a lawyer’s clerk before switching to his art profession in 1890. Matisse briefly studied impressionism, but under the training of Moreau, he learned to use his own simplified figures and bold colors. His first works [...]]]></description>
			<content:encoded><![CDATA[<blockquote><p><em>I have painted almost 1,200 pictures. More than 2,500 of them are in the USA. &#8211; Henri Matisse</em></p></blockquote>
<p><img src="http://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Portrait_of_Henri_Matisse_1933_May_20.jpg/200px-Portrait_of_Henri_Matisse_1933_May_20.jpg" alt="Henri Matisse" /></p>
<p>Biography:<br />
<a href="http://www.oilpaintingsellers.com/tag/Henri-Matisse">Henri Matisse</a> was employed as a lawyer’s clerk before switching to his art profession in 1890. Matisse briefly studied impressionism, but under the training of Moreau, he learned to use his own simplified figures and bold colors. His first works bordered on Neo-Impressionism, but as he progressed as an artist, he found that his painting and prints employed different values. After an exhibition in 1905, Matisse and his cohorts were given the name Les Fauves by critics, supplying their movement with the name Fauvism. While battling illness in Vence, a town near Nice, he was cared for by nuns. In return, Matisse financed and designed a chapel. Bedridden at end of his life and unable to paint at an easel, he cut out and painted on paper, gluing and assembling to form his final work.<span id="more-153"></span></p>
<p>Works：</p>
<p><img src="http://upload.wikimedia.org/wikipedia/en/thumb/0/05/Matissenotredame.jpg/180px-Matissenotredame.jpg" alt="A Glimpse of Notre-Dame in the Late Afternoon" /><br />
A Glimpse of Notre-Dame in the Late Afternoon, 1902, Albright-Knox Art Gallery, Buffalo, New York</p>
<p><img src="http://upload.wikimedia.org/wikipedia/en/thumb/f/fb/Matisse-Woman-with-a-Hat.jpg/180px-Matisse-Woman-with-a-Hat.jpg" alt=" Woman with a Hat by Henri Matisse " /><br />
Henri Matisse. Woman with a Hat, 1905. San Francisco Museum of Modern Art.</p>
<p><img src="http://upload.wikimedia.org/wikipedia/en/thumb/0/0a/Matisse-The-Dessert-Harmony-in-Red-Henri-1908-fast.jpg/180px-Matisse-The-Dessert-Harmony-in-Red-Henri-1908-fast.jpg" alt="The Dessert: Harmony in Red, by Henri Matisse " /><br />
Henri Matisse, The Dessert: Harmony in Red, 1908, Hermitage Museum, St. Petersburg, Russia</p>
<p><img src="http://upload.wikimedia.org/wikipedia/en/thumb/0/07/Matisse_-_left_to_right_%27The_Back_I%27%2C_1908-09%2C_%27The_Back_II%27%2C_1913%2C_%27The_Back_III%27_1916%2C_%27The_Back_IV%27%2C_c._1931%2C_bronze%2C_Museum_of_Modern_Art_%28New_York_City%29.jpg/400px-Matisse_-_left_to_right_%27The_Back_I%27%2C_1908-09%2C_%27The_Back_II%27%2C_1913%2C_%27The_Back_III%27_1916%2C_%27The_Back_IV%27%2C_c._1931%2C_bronze%2C_Museum_of_Modern_Art_%28New_York_City%29.jpg" alt="The Back Series, bronze, left to right" /><br />
Henri Matisse, The Back Series, bronze, left to right: The Back I, 1908-09, The Back II, 1913, The Back III 1916, The Back IV, c. 1931, all Museum of Modern Art, New York City</p>
<ul>
<li><em><a title="Notre-Dame, une fin d'après-midi" href="http://en.wikipedia.org/wiki/Notre-Dame,_une_fin_d%27apr%C3%A8s-midi">Notre-Dame, une fin d&#8217;après-midi</a></em> (1902), <a title="Albright-Knox Art Gallery" href="http://en.wikipedia.org/wiki/Albright-Knox_Art_Gallery">Albright-Knox Art Gallery</a>, <a title="Buffalo, New York" href="http://en.wikipedia.org/wiki/Buffalo,_New_York">Buffalo, New York</a></li>
<li><em><a title="Green Stripe" href="http://en.wikipedia.org/wiki/Green_Stripe">The green line</a></em> (1905)</li>
<li><em><a title="The Open Window" href="http://en.wikipedia.org/wiki/The_Open_Window">The Open Window</a></em> (1905)</li>
<li><em><a title="Woman with a Hat" href="http://en.wikipedia.org/wiki/Woman_with_a_Hat">Woman with a Hat</a></em> (1905)</li>
<li><em><a title="Les toits de Collioure" href="http://en.wikipedia.org/wiki/Les_toits_de_Collioure">Les toits de Collioure</a></em> (1905)</li>
<li><em><a title="Landscape at Collioure" href="http://en.wikipedia.org/wiki/Landscape_at_Collioure">Landscape at Collioure</a></em> (1905)</li>
<li><em><a title="Le bonheur de vivre" href="http://en.wikipedia.org/wiki/Le_bonheur_de_vivre">Le bonheur de vivre</a></em> (1906)</li>
<li><em><a title="The Young Sailor II" href="http://en.wikipedia.org/wiki/The_Young_Sailor_II">The Young Sailor II</a></em> (1906)</li>
<li><em><a title="Self-Portrait in a Striped T-shirt" href="http://en.wikipedia.org/wiki/Self-Portrait_in_a_Striped_T-shirt">Self-Portrait in a Striped T-shirt</a></em> (1906)</li>
<li><em><a title="Madras Rouge" href="http://en.wikipedia.org/wiki/Madras_Rouge">Madras Rouge</a></em> (1907)</li>
<li><em><a title="Blue Nude (Souvenir de Biskra)" href="http://en.wikipedia.org/wiki/Blue_Nude_%28Souvenir_de_Biskra%29">Blue Nude (Souvenir de Biskra)</a></em> (1907), <a title="Baltimore Museum of Art" href="http://en.wikipedia.org/wiki/Baltimore_Museum_of_Art">Baltimore Museum of Art</a></li>
<li><em><a title="The Dessert: Harmony in Red (The Red Room)" href="http://en.wikipedia.org/wiki/The_Dessert:_Harmony_in_Red_%28The_Red_Room%29">The Dessert: Harmony in Red (The Red Room)</a></em> (1908)</li>
<li><em><a title="Bathers with a Turtle" href="http://en.wikipedia.org/wiki/Bathers_with_a_Turtle">Bathers with a Turtle</a></em> (1908), <a title="Saint Louis Art Museum" href="http://en.wikipedia.org/wiki/Saint_Louis_Art_Museum">Saint Louis Art Museum</a>, <a title="Missouri" href="http://en.wikipedia.org/wiki/Missouri">Missouri</a></li>
<li><em><a class="mw-redirect" title="The Dance (painting)" href="http://en.wikipedia.org/wiki/The_Dance_%28painting%29">La Danse</a></em> (1909)</li>
<li><em><a title="Still Life with Geraniums" href="http://en.wikipedia.org/wiki/Still_Life_with_Geraniums">Still Life with Geraniums</a></em> (1910)</li>
<li><em><a title="L'Atelier Rouge" href="http://en.wikipedia.org/wiki/L%27Atelier_Rouge">L&#8217;Atelier Rouge</a></em> (1911)</li>
<li><em><a title="The Conversation (painting)" href="http://en.wikipedia.org/wiki/The_Conversation_%28painting%29">The Conversation</a></em> (1908–1912)</li>
<li><em><a title="Zorah on the Terrace" href="http://en.wikipedia.org/wiki/Zorah_on_the_Terrace">Zorah on the Terrace</a></em> (1912)</li>
<li><em><a title="Le Rifain assis" href="http://en.wikipedia.org/wiki/Le_Rifain_assis">Le Rifain assis</a></em> (1912)</li>
<li><em><a title="Window at Tangier" href="http://en.wikipedia.org/wiki/Window_at_Tangier">Window at Tangier</a></em> (1912)</li>
<li><em><a title="Le rideau jaune" href="http://en.wikipedia.org/wiki/Le_rideau_jaune">Le rideau jaune</a> (the yellow curtain)</em> (1915)</li>
<li><em>The Window</em> (1916), <a title="Detroit Institute of Arts" href="http://en.wikipedia.org/wiki/Detroit_Institute_of_Arts">Detroit Institute of Arts</a>, <a title="Michigan" href="http://en.wikipedia.org/wiki/Michigan">Michigan</a></li>
<li><em>La leçon de musique</em> (1917)</li>
<li><em><a title="The Painter and His Model" href="http://en.wikipedia.org/wiki/The_Painter_and_His_Model">The Painter and His Model</a></em> (1917)</li>
<li><em><a class="new" title="Interior A Nice (page does not exist)" href="http://en.wikipedia.org/w/index.php?title=Interior_A_Nice&amp;action=edit&amp;redlink=1">Interior A Nice</a></em> (1920)</li>
<li><em><a title="Odalisque with Raised Arms" href="http://en.wikipedia.org/wiki/Odalisque_with_Raised_Arms">Odalisque with Raised Arms</a></em> (1923), <a title="National Gallery of Art" href="http://en.wikipedia.org/wiki/National_Gallery_of_Art">National Gallery of Art</a>, <a title="Washington" href="http://en.wikipedia.org/wiki/Washington">Washington</a></li>
<li><em><a title="Yellow Odalisque" href="http://en.wikipedia.org/wiki/Yellow_Odalisque">Yellow Odalisque</a></em> (1926)</li>
<li><em><a title="The Dance II" href="http://en.wikipedia.org/wiki/The_Dance_II">The Dance II</a></em> (1932), <a title="Triptych" href="http://en.wikipedia.org/wiki/Triptych">triptych</a> <a title="Mural" href="http://en.wikipedia.org/wiki/Mural">mural</a> (45 ft by 15 ft) in the <a class="mw-redirect" title="Barnes Foundation of Philadelphia" href="http://en.wikipedia.org/wiki/Barnes_Foundation_of_Philadelphia">Barnes Foundation of Philadelphia</a></li>
<li><em><a title="Robe violette et Anémones" href="http://en.wikipedia.org/wiki/Robe_violette_et_An%C3%A9mones">Robe violette et Anémones</a></em> (1937)</li>
<li><em><a title="Woman in a Purple Coat" href="http://en.wikipedia.org/wiki/Woman_in_a_Purple_Coat">Woman in a Purple Coat</a></em> (1937)</li>
<li><em>Le Rêve de 1940</em> <em>(the dream of 1940)</em> (1940)</li>
<li><em><a title="La Blouse Roumaine" href="http://en.wikipedia.org/wiki/La_Blouse_Roumaine">La Blouse Roumaine</a></em> (1940)</li>
<li><em><a title="Le Lanceur De Couteaux" href="http://en.wikipedia.org/wiki/Le_Lanceur_De_Couteaux">Le Lanceur De Couteaux</a></em> (1943)</li>
<li><em><a title="Annelies, White Tulips and Anemones" href="http://en.wikipedia.org/wiki/Annelies,_White_Tulips_and_Anemones">Annelies, White Tulips and Anemones</a></em> (1944), <a title="Honolulu Academy of Arts" href="http://en.wikipedia.org/wiki/Honolulu_Academy_of_Arts">Honolulu Academy of Arts</a></li>
<li><em><a title="L'Asie" href="http://en.wikipedia.org/wiki/L%27Asie">L&#8217;Asie</a></em> (1946)</li>
<li><em><a title="Deux fillettes, fond jaune et rouge" href="http://en.wikipedia.org/wiki/Deux_fillettes,_fond_jaune_et_rouge">Deux fillettes, fond jaune et rouge</a></em> (1947)</li>
<li><em><a title="Jazz (Henri Matisse)" href="http://en.wikipedia.org/wiki/Jazz_%28Henri_Matisse%29">Jazz</a></em> (1947)</li>
<li><em><a title="The Plum Blossoms" href="http://en.wikipedia.org/wiki/The_Plum_Blossoms">The Plum Blossoms</a></em> (1948)</li>
<li><em><a class="mw-redirect" title="Chapelle du Saint-Marie du Rosaire" href="http://en.wikipedia.org/wiki/Chapelle_du_Saint-Marie_du_Rosaire">Chapelle du Saint-Marie du Rosaire</a></em> (1948 - 1951)</li>
<li><em><a title="Beasts of the Sea" href="http://en.wikipedia.org/wiki/Beasts_of_the_Sea">Beasts of the Sea</a></em> (1950)</li>
<li><em><a title="The Sorrows of the King" href="http://en.wikipedia.org/wiki/The_Sorrows_of_the_King">The Sorrows of the King</a></em> (1952)</li>
<li><em><a title="Black Leaf on Green Background" href="http://en.wikipedia.org/wiki/Black_Leaf_on_Green_Background">Black Leaf on Green Background</a></em> (1952)</li>
<li><em><a title="La Négresse" href="http://en.wikipedia.org/wiki/La_N%C3%A9gresse">La Négresse</a></em> (1952)</li>
<li><em><a title="Blue Nude II" href="http://en.wikipedia.org/wiki/Blue_Nude_II">Blue Nude II</a></em> (1952)</li>
<li><em><a title="The Snail" href="http://en.wikipedia.org/wiki/The_Snail">The Snail</a></em> (1953)</li>
<li><em><a title="Le Bateau" href="http://en.wikipedia.org/wiki/Le_Bateau">Le Bateau</a></em> (1954)  (This gouache created a minor stir because <span class="mw-redirect">MoMA</span> had mistakenly displayed it upside-down for 47 days in 1961.)</li>
</ul>
<p>Artnews Articles and Exhibition Information about <a href="http://www.oilpaintingsellers.com/tag/Henri-Matisse">Henri Matisse</a> :<br />
<span class="font10"><span class="font10b">Art Gallery of South Australia:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/10/23/27613.html">Matisse: The Art of Drawing</a><br />
Much of Matisse&#8217;s inspiration was found in poetry. Like his art, the poetry or poetic prose he   loved was intimate and sensuous. In his later years the artist developed the practice of   reading poetry every morning before he began working in h&#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Philbrook Museum of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/08/17/27339.html">The Triumph of French Painting:   Masterpieces from Ingres to Matisse</a><br />
&#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Birmingham Museum of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/07/19/27233.html">Matisse</a><br />
Matisse took the classical form of the body, and, with a revolutionary intensity of color and simplicity of brushwork, brought it into the modern era. Everything worked to bring out the sensual, expressive and essential elements of the human form: &#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Tate Modern:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2002/05/13/29915.html">MatissePicasso</a><br />
Through a series of over thirty groupings of paintings and sculpture, this major exhibition            gives you the opportunity to compare and contrast Matisse&#8217;s expressive use of colour and            line alongside Picasso&#8217;s stylistic virtuos&#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Queensland Art Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2002/02/18/29665.html">Belle-Ile: Monet, Russell and Matisse in Brittany</a><br />
In the late nineteenth century these artists              were all drawn to Belle-Île, off the coast of              Brittany, France, by their desire to capture              on canvas the island’s dramatic,              storm-tossed coastline&#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Courtauld Institute of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/06/28/28775.html">Fauve Painting 1905-7: The Triumph of Pure Colour</a><br />
Louis  Vauxcelles, one of the more progressive critics described the proximity of a relatively classical  sculpture to paintings by Matisse and his colleagues as -Donatello among the wild beasts - and the  name stuck although the Fauves were ne&#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Royal Academy of Arts:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/07/03/28801.html">Ingres to Matisse: Masterpieces of French Painting</a><br />
Opening with work by Ingres and Delacroix and closing with the paintings of Picasso and Matisse, the          exhibition will provide a broad overview of French painting from the early nineteenth-century to the          1930s. Ingres to Matisse &#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Columbia Museum of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/10/16/29248.html">From Fauvism to Impressionism: Albert Marquet at the Pompidou</a><br />
Schooled under Gustav Moreau at the Ecole des Arts Decoratifs alongside his friend Henri Matisse, Marquet was considered at the forefront of artistic achievement in France in his day. Bonds of friendship associated him with Matisse as well as Raou&#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Somerset House:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2002/10/11/30376.html">New displays: Into the 20th Century</a><br />
New loans will include a group of over 30 Fauve paintings, including work by Matisse, Derain, Dufy and Vlaminck, as well as a selection of paintings and drawings by Kandinsky. The sculpture will include by Degas, Rodin, Maillol, Matisse, Laurens, &#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Museum of Modern Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2003/02/12/30748.html">Matisse Picasso</a><br />
Years in the making, this exhibition is the result of a unique collaboration between The Museum of Modern Art, New York; Tate, London; Musée Picasso and Musée National d&#8217;Art Moderne, Centre Georges Pompidou, Paris. It brings together masterpieces &#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Albright-Knox Art Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/11/03/29319.html">The Triumph of French Painting: Masterpieces from Ingres to Matisse</a><br />
The exhibition is currently being presented at the Royal Academy of Art in London, England, before concluding with its visit to the Albright-Knox Art Gallery.  The exhibition has received critical accolades in each of its previous engagements. &#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Louisiana Museum of Modern Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2005/08/12/33222.html">Matisse: A Second Life</a><br />
“Une seconde vie”, a second life, was what Henri Matisse called the last fourteen years of his life, the time from his serious operation in 1941 until his death in the autumn of 1954. For Matisse these years were a true gift: he felt that the oper&#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Dideh Iranian Fine Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/11/10/26155.html">Iran on the Web</a><br />
Mr. Nami Petgar one of the exhibiting Iranian painter describes it:                                      It is as if a small window has been opened to my                               studio and a selection of my works has been put on display &#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Fundação Arpad Szenes - Vieira da Silva:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/11/19/29366.html">Derriere le Miroir: 35 Original Engravings from the Magazine 1946 to 1982</a><br />
The magazine, itself designed as an art object sumptuously presented in a large (38 x 28 cm) format, is illustrated with original lithographs as well as a number of reproductions. Poets and writers like Aragon, Beckett, Char, Eluard, Prévert, Quen&#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Baltimore Museum of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/03/12/26683.html">The Triumph of French Painting</a><br />
The Triumph of French Painting features more                           than thirty celebrated artists, including Ingres,                           Delacroix, Corot, Millet, Monet, Renoir, Cézanne,                           van Gogh, Picasso, an&#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">National Museum of Modern Art, Kyoto:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/09/21/25859.html">Chefs - d&#8217;Oeuvre du Misee de l&#8217;Orangerie</a><br />
&#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Association for Visual Arts:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2003/01/08/30637.html">Louis Jansen van Vuuren: Solo Exhibition</a><br />
His work is represented in most major public and corporate art collections locally, including those of SANG, the Universities of Cape Town, Bloemfontein, Stellenbosch and the Western Cape; First National Bank; Rand Merchant Bank; Investec; Boland &#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Cobra Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/12/24/26351.html">From Kandinsky till Corneille, Linoleum in art during the 20th century.</a><br />
&#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Albright-Knox Art Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/12/23/27861.html">Photographs of Artists</a><br />
Don&#8217;t miss this opportunity to come face                                                                  to face with artists represented in the Gallery&#8217;s collection                                                                  such as Henri&#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Museum of Modern Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/11/03/26121.html">ModernStarts: Places</a><br />
Landscape painting between 1880 and 1920 ranged from idealized and allegorical depictions of nature, as seen in the &#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Art Gallery of New South Wales:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/11/29/29398.html">Belle-Ile: Monet, Russell and Matisse in Brittany</a><br />
Today, its population of 4,000 predominantly survive on tourism and fishing. The natural &#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Metropolitan Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/03/10/26675.html">Painters in Paris: 1895–1950</a><br />
Painters in Paris: 1895–1950, an exhibition                                                          of more than 100 paintings by many of the 20th                                       &#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Brooklyn Museum of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/10/06/27526.html">Lee Krasner</a><br />
While Krasner has been indelibly associated with Pollock, this show places her work in a larger context of painterly influences - including Hans Hofmann, Willem de Kooning, Henri Matisse, and Piet Mondrian - and chronicles her approach to pushi&#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Phillips Collection:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/09/24/27486.html">Degas to Matisse: Impressionist and Modern Masterworks from the Detroit Institute of Arts                  September 23 through January 21, 2001                   FUTURE . . .                   Wayne Thiebaud: A Paintings Retrospective                  Fe</a><br />
By  integrating works from The Phillips Collection into the Tannahill exhibition, Degas to Matisse: Impressionist and Modern Masterworks from The Detroit Institute of Arts highlights the similarities and the differ&#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Metropolitan Museum of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/10/03/29189.html">Neo-Impressionism: The Circle of Paul Signac </a><br />
Flourishing from 1886 to 1906, the artists who worked in this avant-garde                                            style came to be called Neo-Impressionists. The term was coined by art critic                                            Félix F&#8230; </span></span></p>
<p><span class="font10"><br />
<span class="font10b">Hayward Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/03/12/28222.html">BRASSAI: The Soul of Paris</a><br />
&#8216;When you meet the man you see at once that he    is equipped with no ordinary eyes’&#8217;<br />
– Henry Miller on Brassaï  <em>IMAGE:<br />
Brassaï<br />
Lovers in a Small Cafe near the Place d&#8217;Italie<br />
1932 Brassaï  Estate<br />
on long term loan to &#8230; </em></span></span></p>
<p><span class="font10"><span class="font10"><em></em></span> <em><br />
<span class="font10b">National Gallery of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/11/18/29345.html">A Century of Drawing: Works on Paper from Degas to LeWitt</a><br />
Examples by great old masters who created some of their most powerful work after the turn of the century&#8211;Edgar Degas, Auguste Rodin, and Winslow Homer&#8211;are shown side by side with works by the younger generation of artists, such as Pablo Picasso,&#8230; </span></em></span></p>
<p><span class="font10"><em><br />
<span class="font10b">Tate Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/05/08/26930.html">Britain s New National Museum of Modern Art, and Will Open to the Public for the First Time on 12 May.</a><br />
Bankside Power Station has been transformed into Tate Modern by the Swiss architects        Herzog &amp; de Meuron. The former Turbine Hall, running the whole length of the vast        building, now marks a breathtaking entrance to the gallery. From&#8230; </span></em></span></p>
<p><span class="font10"><em><br />
<span class="font10b">National Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2002/05/06/29892.html">Fabric of Vision: Dress and Drapery in Painting</a><br />
Artists bring dress and drapery to life, showing us how to see and feel it. In responding to contemporary fashion, they present to each age a compelling image of how clothes should be worn. The exhibition opens with a striking series of paired pai&#8230; </span></em></span></p>
<p><span class="font10"><em><br />
<span class="font10b">Tate St. Ives:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/03/26/28290.html">Patrick Heron: Garden Paintings</a><br />
Heron was international in his outlook and in order to complement his exhibition a number of paintings by major figures of the modern movement will be displayed at Tate St Ives. These are the artists that he wrote about and include Mon&#8230; </span></em></span></p>
<p>Useful links about <a href="http://www.oilpaintingsellers.com/tag/Henri-Matisse">Henri Matisse</a></p>
<ul>
<li><a class="external text" title="http://images.google.com/imgres?imgurl=http://communitas.princeton.edu/blogs/wri152-3/jholt/images/dance.jpg&amp;imgrefurl=http://blogs.princeton.edu/wri152-3/jholt/archives/001911.html&amp;h=271&amp;w=677&amp;sz=24&amp;hl=en&amp;start=1&amp;tbnid=8fYyN_Mm0r3hWM:&amp;tbnh=56&amp;tbnw=139&amp;prev=/images%3Fq%3D%2522The%2BDance%2BII%2522%2B%2BMatisse%26svnum%3D10%26hl%3Den%26safe%3Doff%26sa%3DG" href="http://images.google.com/imgres?imgurl=http://communitas.princeton.edu/blogs/wri152-3/jholt/images/dance.jpg&amp;imgrefurl=http://blogs.princeton.edu/wri152-3/jholt/archives/001911.html&amp;h=271&amp;w=677&amp;sz=24&amp;hl=en&amp;start=1&amp;tbnid=8fYyN_Mm0r3hWM:&amp;tbnh=56&amp;tbnw=139&amp;prev=/images%3Fq%3D%2522The%2BDance%2BII%2522%2B%2BMatisse%26svnum%3D10%26hl%3Den%26safe%3Doff%26sa%3DG">The Dance II. 1932. The Barnes Foundation, Merion Station, accessed online August 7, 2007</a></li>
<li><a class="external text" title="http://www.musee-matisse-nice.org/" href="http://www.musee-matisse-nice.org/">Musée Matisse Nice</a></li>
<li><a class="external text" title="http://www.moma.org/collection/browse_results.php?criteria=O:AD:E:3832&amp;page_number=1&amp;template_id=6&amp;sort_order=1" href="http://www.moma.org/collection/browse_results.php?criteria=O:AD:E:3832&amp;page_number=1&amp;template_id=6&amp;sort_order=1">Henri Matisse at the Museum of Modern Art (MoMA)</a></li>
<li><a class="external text" title="http://www.artst.org/matisse" href="http://www.artst.org/matisse">Matisse Gallery at Artst</a></li>
<li><a class="external text" title="http://cgfa.sunsite.dk/matisse/index.html" href="http://cgfa.sunsite.dk/matisse/index.html">Henri Matisse at CGFA</a></li>
<li><a class="external text" title="http://www.artfacts.net/index.php/pageType/artistInfo/artist/1631/lang/1" href="http://www.artfacts.net/index.php/pageType/artistInfo/artist/1631/lang/1"><em>Current exhibitions and connection to galeries at Artfacts.Net</em></a></li>
<li><a class="external text" title="http://www.museumsyndicate.com/artist.php?artist=95" href="http://www.museumsyndicate.com/artist.php?artist=95">Henri Matisse Gallery at MuseumSyndicate</a></li>
<li><a class="external text" title="http://www.artchive.com/artchive/M/matisse.html" href="http://www.artchive.com/artchive/M/matisse.html">Artchive</a></li>
<li><a class="external text" title="http://www.abcgallery.com/M/matisse/matisse.html" href="http://www.abcgallery.com/M/matisse/matisse.html">Henri Matisse at Olga&#8217;s Gallery</a> 158 pictures</li>
<li><a class="external text" title="http://www.matisse-picasso.com/" href="http://www.matisse-picasso.com/">Matisse-Picasso</a></li>
<li><a class="external text" title="http://www.halter.net/gallery/matisse-jl.html" href="http://www.halter.net/gallery/matisse-jl.html">Henri Matisse: A Virtual Art Gallery</a></li>
<li><a class="external text" title="http://www.moma.org/collection/browse_results.php?object_id=79124" href="http://www.moma.org/collection/browse_results.php?object_id=79124"><em>Dance (I)</em></a> in the MoMA Online Collection</li>
<li><a class="external text" title="http://www.ac-grenoble.fr/PhiloSophie//articles.php?lng=fr&amp;pg=6274" href="http://www.ac-grenoble.fr/PhiloSophie//articles.php?lng=fr&amp;pg=6274">Matisse on Philo</a></li>
<li><a class="external text" title="http://www.artbma.org/collection/cone/cone_html.html" href="http://www.artbma.org/collection/cone/cone_html.html">The Cone Sister Collection at The Baltimore Museum of Art</a></li>
<li><a class="external text" title="http://www.morozov-shchukin.com" href="http://www.morozov-shchukin.com/">The Morozov-Shchukin collections</a></li>
<li>Flam, Jack. <em><a class="external text" title="http://www.psupress.psu.edu/books/titles/0-912298-73-1.html" href="http://www.psupress.psu.edu/books/titles/0-912298-73-1.html">Matisse in the Cone Collection</a></em>, Baltimore Museum of Art, 2001 <a class="internal" href="http://en.wikipedia.org/wiki/Special:BookSources/0912298731">ISBN 0-912298-73-1</a></li>
<li><a class="external text" title="http://www.smk.dk/smk.nsf/5a8a7f63d33b85d8c125697a007844f9/919a110b1d91e60ac1256b7900455fbe!OpenDocument" href="http://www.smk.dk/smk.nsf/5a8a7f63d33b85d8c125697a007844f9/919a110b1d91e60ac1256b7900455fbe%21OpenDocument">Matisse at Statens Museum for Kunst (&#8221;The Danish National Gallery&#8221;)</a></li>
<li><a class="external text" title="http://www.henri-matisse.net/" href="http://www.henri-matisse.net/">Henri Matisse: Life and Work</a> 500 hi-res images</li>
<li><a class="external text" title="http://www.arsny.com" href="http://www.arsny.com/">Artists Rights Society, Matisse&#8217;s U.S. Copyright Representatives</a></li>
<li><a class="external text" title="http://www.nybooks.com/articles/18171" href="http://www.nybooks.com/articles/18171">Hillary Spurling, <em>Matisse&#8217;s pajamas,</em> online article</a></li>
<li><a href="http://www.ibiblio.org/wm/paint/auth/matisse">WebMuseum: Matisse, Henri (-Émile-Benoît)</a><br />
<a href="http://www.artcyclopedia.com/artists/matisse_henri.html">Henri Matisse Online</a><br />
<a href="http://www.geocities.com/Paris/LeftBank/4208">Henri Matisse Art Gallery</a><br />
<a href="http://www.musee-matisse-nice.org/">MUSEE MATISSE DE NICE - MATISSE MUSEUM OF NICE -</a><br />
<a href="http://www.artchive.com/artchive/M/matisse.html">Henri Matisse</a><br />
<a href="http://www.ocaiw.com/matisse.htm">Henri Matisse - Art Images - Works and Biography - OCAIW</a><br />
<a href="http://www.abcgallery.com/M/matisse/matisse.html">Henri Matisse - Olgas Gallery</a><br />
<a href="http://www2.lucidcafe.com/lucidcafe/library/95dec/matisse.html">Henri Matisse | Fauves Artist</a><br />
<a href="http://www2.lucidcafe.com/library/95dec/matisse.html">Lucidcafé Interactive Café and Information Resource</a><br />
<a href="http://www.globalgallery.com/ggresult.asp?artist=matisse">Global Gallery - Matisse Prints and Posters - Search Results</a></li>
</ul>
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		<title>Salvador Dali</title>
		<link>http://www.oilpaintingsellers.com/salvador-dali/</link>
		<comments>http://www.oilpaintingsellers.com/salvador-dali/#comments</comments>
		<pubDate>Wed, 12 Nov 2008 07:47:09 +0000</pubDate>
		<dc:creator>oilpainting</dc:creator>
		
		<category><![CDATA[paint artists]]></category>

		<category><![CDATA[futurist]]></category>

		<category><![CDATA[Salvador Dali]]></category>

		<category><![CDATA[Spanish]]></category>

		<category><![CDATA[Surrealism]]></category>

		<category><![CDATA[Surrealist]]></category>

		<category><![CDATA[top30-artist]]></category>

		<guid isPermaLink="false">http://www.oilpaintingsellers.com/?p=151</guid>
		<description><![CDATA[The only difference between me and the Surrealists is that I am a Surrealist.                    &#8212;Salvador Dali

Biography:
Born in Catalonia, Spain, Salvador Dali studied at the Academy of Fine Arts in Madrid, before being expelled for bad behavior. [...]]]></description>
			<content:encoded><![CDATA[<blockquote><p>The only difference between me and the Surrealists is that I am a Surrealist.                    &#8212;Salvador Dali</p></blockquote>
<p><img src="http://upload.wikimedia.org/wikipedia/commons/thumb/2/24/Salvador_Dal%C3%AD_1939.jpg/180px-Salvador_Dal%C3%AD_1939.jpg" alt="Salvador Dali" /><br />
Biography:<br />
Born in Catalonia, Spain, <a href="http://www.oilpaintingsellers.com/tag/Salvador-Dali">Salvador Dali </a>studied at the Academy of Fine Arts in Madrid, before being expelled for bad behavior. He was slightly influenced by the <a href="http://www.oilpaintingsellers.com/tag/futurist">Futurist</a> and <a href="http://www.oilpaintingsellers.com/tag/cubist">Cubist</a> movements, but found deeper appreciation for the introspective works of De Chirico. In 1929, Dali joined the Surrealists, but was kicked out of the group in 1939, after multiple arguments with Breton. After this split, Dali began producing his famous dream-like images. As a result, he acquired a large public following in the United States<br />
Dali often clashed with André Breton and other members of the &#8220;official&#8221; <a href="http://www.oilpaintingsellers.com/tag/Surrealist">Surrealist</a> circle over the content of his paintings and the right-wing views he sometimes espoused, and was kicked out of the group in 1934. Breton coined a brilliant anagram for Dali&#8217;s name: Avida Dollars (which more or less translates to &#8220;Eager for Dollars&#8221;); Dali shot back, The only difference between me and the <a href="http://www.oilpaintingsellers.com/tag/Surrealist">Surrealist</a> is that I am a <a href="http://www.oilpaintingsellers.com/tag/Surrealist">Surrealist</a>.<span id="more-151"></span></p>
<p>Works by <a href="http://www.oilpaintingsellers.com/tag/Salvador-Dali">Salvador Dali </a></p>
<p><img src="http://upload.wikimedia.org/wikipedia/en/thumb/7/76/Landscape_Near_Figueras.jpg/76px-Landscape_Near_Figueras.jpg" alt="Landscape Near Figueras" /><br />
Landscape Near Figueras (1910)<br />
One of Dalí&#8217;s earliest known paintings.</p>
<p><img src="http://upload.wikimedia.org/wikipedia/en/thumb/4/4b/Dali_Self-portrait.jpg/72px-Dali_Self-portrait.jpg" alt="Self-portrait " /><br />
Self-portrait (1921)<br />
An early painting by young Dalí during his teenage years.</p>
<p><img src="http://upload.wikimedia.org/wikipedia/en/thumb/d/dd/The_Persistence_of_Memory.jpg/120px-The_Persistence_of_Memory.jpg" alt="The Persistence of Memory" /><br />
The Persistence of Memory (1931)<br />
One of Dalí&#8217;s most famous works.</p>
<p><img src="http://upload.wikimedia.org/wikipedia/en/thumb/d/df/Dream_Caused_by_the_Flight_of_a_Bumblebee_around_a_Pomegranate_a_Second_Before_Awakening.jpg/94px-Dream_Caused_by_the_Flight_of_a_Bumblebee_around_a_Pomegranate_a_Second_Before_Awakening.jpg" alt="Dream Caused by the Flight of a Bee around a Pomegranate a Second Before Awakening" /><br />
Dream Caused by the Flight of a Bee around a Pomegranate a Second Before Awakening (1944)<br />
Dalí said, &#8220;The noise of the bee here causes the sting of the dart that will wake Gala.&#8221;</p>
<p><img src="http://upload.wikimedia.org/wikipedia/en/thumb/0/09/Dali_Crucifixion_hypercube.jpg/76px-Dali_Crucifixion_hypercube.jpg" alt="Crucifixion (Corpus Hypercubus)" /><br />
Crucifixion (Corpus Hypercubus) (1954)</p>
<p><img src="http://upload.wikimedia.org/wikipedia/en/thumb/c/c8/SDaliNewton.jpg/87px-SDaliNewton.jpg" alt="Homage to Newton" /><br />
Homage to Newton (1985)<br />
Signed and numbered cast no. 5/8. Bronze with dark patina.<br />
Size: 388 x 210 x 133cm.<br />
UOB Plaza, Singapore<br />
Dali&#8217;s homage to Newton, with an open torso and suspended heart to indicate &#8220;open-heartedness,&#8221; and an open head indicating &#8220;open-mindedness&#8221;—<br />
the two very qualities important for science discovery and successful human endeavours.</p>
<p><img src="http://upload.wikimedia.org/wikipedia/en/thumb/2/22/The_Swallowtail.jpg/120px-The_Swallowtail.jpg" alt="The Swallow's Tail" /><br />
The Swallow&#8217;s Tail (1983)<br />
Dalí&#8217;s last painting.</p>
<p>Artnews Articles and Exhibition Information about <a href="http://www.oilpaintingsellers.com/tag/Salvador-Dali">Salvador Dali </a></p>
<p><span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/11/11/26167.html">Zhang Dali: Demolition and Dialogue </a><br />
&#8230; </span><br />
<span class="font10b">Wadsworth Atheneum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/01/16/26431.html">Salvador Dali&#8217;s Optical Illusions</a><br />
&#8230; </span><br />
<span class="font10b">Scottish Natinal Gallery of Modern Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/07/21/27242.html">Salvador Dalí&#8217;s Optical Illusions</a><br />
Although best-known as a revolutionary and iconoclastic                   Surrealist painter, Dalí was deeply indebted to art of                   earlier periods and continually sought ways to combine                   traditional images and tech&#8230; </span><br />
<span class="font10b">CourtYard Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/02/25/26618.html">February Group Show</a><br />
&#8230; </span><br />
<span class="font10b">Gemeentemuseum Den Haag:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/10/29/29300.html">From Picasso to Tàpies: Spanish 20th Century Art from the Reina Sofia</a><br />
Spanish artists working in the period before 1945 exercised a major influence on artistic developments in the twentieth century. They were in the vanguard of the changes taking place in the art world, in style, in professional attitudes and in the&#8230; </span><br />
<span class="font10b">Centre de Cultura Contemporania de Barcelona:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/10/24/29279.html">Requiem for the Staircase: Curated by Architect Oscar Tusquets</a><br />
Professor Juan Antonio Ramirez has selected a few very important paintings and drawings representing the entire history of art, in which each of the stairways has been represented by great artists. These are accompanied by film footage and lit&#8230; </span><br />
<span class="font10b">Bergen Art Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2004/02/13/31805.html">Anxiety and Desire. Surrealism in Scandinavia 1930-1950</a><br />
The Scandinavian Surrealists were eccentric and individualistic, their art received criticism and alienation in their home countries. They personally knew, exhibited internationally with and were inspired by S.Dali, P.Klee, V.Kandinsky, M.Ernst as&#8230; </span><br />
<span class="font10b">Silicon Pulp Animation Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/08/30/25890.html">Last Chance! Relics from Rustic Animations</a><br />
Bruce Currie is an enigmatic entertainer - an actor, writer, director, producer, illustrator                          and animator. The folkloric nature of his stories and characters belies the polish and                          technical intricac&#8230; </span><br />
<span class="font10b">Tate Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/05/08/26930.html">Britain s New National Museum of Modern Art, and Will Open to the Public for the First Time on 12 May.</a><br />
Bankside Power Station has been transformed into Tate Modern by the Swiss architects        Herzog &amp; de Meuron. The former Turbine Hall, running the whole length of the vast        building, now marks a breathtaking entrance to the gallery. From&#8230; </span><br />
<span class="font10b">Silicon Pulp Animation Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/07/31/25711.html">Relics from Rustic Animations</a><br />
Bruce Currie is an enigmatic entertainer - an actor, writer, director, producer, illustrator                          and animator. The folkloric nature of his stories and characters belies the polish and                          technical intricac&#8230; </span><br />
<span class="font10b">Museum of Modern Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2003/05/09/31006.html">Andy Warhol: Screen Tests Presented at MoMA QNS</a><br />
Each of his subjects was shot straight on with a static camera, using no sound and with minimal light that Warhol positioned in increasingly inventive ways to add shade and character to his subjects. The results are as distinct as the subjects &#8230; </span><br />
<span class="font10b">National Portrait Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/03/02/28168.html">Horst: Portraits - Sixty Years of Style</a><br />
This is the first major exhibition of Horst&#8217;s       work since his death in November 1999, and the first ever to       focus solely on his portraiture. It brings together 150 portraits,       in black and white and colour, exploring the worlds &#8230; </span><br />
<span class="font10b">Museen der Stadt Wien:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/03/21/26721.html">Dreams 1900-2000: Art, Science and the Unconscious</a><br />
&#8230; </span><br />
<span class="font10b">Museum of Modern Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/03/22/26730.html">The Dream of Utopia/Utopia of the Dream</a><br />
One extreme was defined by the pure abstractions of painters such as Piet Mondrian and Kazimir Malevich, who sought the        systematic restructuring of reality through emphasis on the logic of form. For example, the spare black and white     &#8230; </span><br />
<span class="font10b">National Academy:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2005/02/18/32767.html">Surrealism USA: Between 1930 and 1950</a><br />
One of the most revolutionary artistic and intellectual movements of the twentieth century, Surrealism still exerts a strong appeal today, more than fifty years after its heyday. The profound influence that this world of fantasy and dream had on a&#8230; </span><br />
<span class="font10b">Estorick Collection of Modern Italian Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2003/01/22/30678.html">Giorgio de Chirico and the Myth of Ariadne</a><br />
This exhibition, which was first shown at the Philadelphia Museum of Art, brings together the entire Ariadne series, including such masterpieces as The Soothsayer&#8217;s Recompense (1913), along with related drawings and sculpture, including an antique&#8230; </span><br />
<span class="font10b">London Institute Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2002/01/09/29536.html">Manga: Short Comics from Modern Japan</a><br />
Chelsea College of Art and Design and the Japan Foundation are jointly hosting a one day symposium on the theme of Manga and Art on Friday 1 February 2002 in central London, U.K.  This event is part of Japan 2001, a nationwide celebration o&#8230; </span><br />
<span class="font10b">University of Essex Art Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2005/04/27/32956.html">Gorgeously Repulsive: Charlotte Bernstein, Simon Collins,  Angela Edmonds,  Daniel Lehan, Prudence Emma Staite, Kate Sully</a><br />
Artist Prudence Emma Staite who recently created  works for the Dali Universe, will craft a site-specific chocolate room  that can be interacted with and consumed.  Angela Edmondsí recreates her  humorous 1994 work Sweet Tooth - a chocolate cak&#8230;</span><br />
<span class="font10b">Tate Gallery, Liverpool:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/06/19/25450.html">Figurative Art at the End of the Century</a><br />
Many of these works have only just been                            acquired by the Tate and are on show in Liverpool for the first                            time. Together, they create a powerful spectacle and raise issues                        &#8230; </span><br />
<span class="font10b">Phillips Collection:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2003/10/15/31451.html">Surrealism and Modernism from the Collection of the Wadsworth Atheneum Museum of Art</a><br />
Notably, the Atheneum was the first museum in the world to purchase a painting by Salvador Dalí (1931) and the first American museum to acquire works by surrealist Joan Miró (1934), the Paris-born painter known as Balthus (1938), and American surr&#8230; </span><br />
<span class="font10b">Thorne-Sagendorph Art Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/09/10/27429.html">Moments in Time: Master Photographs from the Currier</a><br />
I think there is enough variety in this exhibit to pique people&#8217;s interest,&#8221; says Maureen Ahern, director of the Thorne-Sagendorph. Photographs range from portraits of scientists Albert Einstein and Charles Darwin to artists Andy Warhol and&#8230; </span><br />
<span class="font10b">Photographer&#8217;s Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/08/11/27311.html">Altered States Of America: It&#8217;s A Great Party, A Retrospective of Photographs by Nat Finkelstein</a><br />
Brooklyn-born Finkelstein studied under Alexey Brodovitch and later worked as a    photojournalist for the picture agency Black Star, recording the political activities of the    sub-culture of New York City.      Through hustling magazine &#8230; </span><br />
<span class="font10b">Centre de Cultura Contemporania de Barcelona:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2002/05/31/29971.html">Gaudi&#8217;s Universe: One of the Central Exhibitions of the Year of Gaudi</a><br />
Gaudí and art: this is the theme of an exhibition which presents a completely new, comprehensive angle on the work of this inspired architect. Like an exultant &#8220;maison d&#8217;artiste&#8221;, Gaudí Universe takes us into the complex mental and aesthetic wo&#8230; </span><br />
<span class="font10b">National Galleries of Scotland, Dean Gallery and the Gallery of Modern Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/05/20/28575.html">THE SURREALIST AND THE PHOTOGRAPHER: ROLAND PENROSE AND LEE MILLER </a><br />
Already a Surrealist artist of considerable talent, Penrose became a tireless champion of modern art through his activities as a collector, writer and exhibition organiser. A former Vogue model, Lee Miller was a remarkable photographer who later &#8230; </span><br />
<span class="font10b">Echo Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2002/12/09/30557.html">Enric Aromi-Masriera: Newest Works</a><br />
Enric began receiving awards at the young age of 14. By 16 he was working in some of the most prestigious publicity and fashion studios in Barcelona. At 20 he had developed a variety of art disciplines like: illustration, paint, architecture, furn&#8230; </span><br />
<span class="font10b">Guggenheim Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2002/07/24/30135.html">Jeff Koons : Easyfun - Ethereal</a><br />
These seven large-scale paintings foreground happy-face deli sandwiches, enormous lips, spiraling roller coaster rides, and wind-swept hair all set against sublime landscapes. Working from computer-scanned reproductions taken from the media and pe&#8230; </span><br />
<span class="font10b">Hara Museum of Contemporary Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2005/03/30/32876.html">Tapies: Curated by Manuel Borja-Villel</a><br />
If there is a single, key element in Antoni Tàpies’ contribution to 20th century aesthetics, it is unquestionably the unique way he treated materials, his constant search for the material nature of artworks. Tàpies developed this aspect through wh&#8230; </span><br />
<span class="font10b">Museum Boijmans Van Beuningen:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/09/02/29073.html">Hieronymus Bosch 1450-1516: Only Opportunity to See So Many Works Together</a><br />
In addition, the exhibition encompasses a multitude of paintings    from Bosch&#8217;s workshop and his contemporaries. The continued fascination for Bosch&#8217;s work is illustrated by the modern    and contemporary works included in the exhibition by art&#8230; </span><br />
<span class="font10b">Fruitmarket Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2003/04/09/30921.html">Inka Essenhigh: Large Scale Paintings and Intricate Drawings</a><br />
The work unites and scatters influences in equal measure, such as Italian Renaissance iconography, Japanese Ukiyo-e prints, Persian miniatures and contemporary mythologies.  The exhibition comprises nine large-scale paintings that demonstra&#8230; </span><br />
<span class="font10b">Samek Art Gallery at Bucknell University:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2004/01/28/31761.html">Regeneration: Contemporary Chinese Art from China and the US</a><br />
&#8220;This exhibit, which includes drawing, installation, painting, photography, video, prints, sculpture and mixed media, aptly reflects the United State&#8217;s growing interest in contemporary Chinese art,&#8221; commented Mills. In conjunction with the e&#8230; </span></p>
<p>Useful links：</p>
<ul>
<li><a class="external text" title="http://www.smh.com.au/articles/2003/07/04/1057179156682.html" href="http://www.smh.com.au/articles/2003/07/04/1057179156682.html">Dalí&#8217;s surreal wind-powered organ lacks only a rhinoceros</a></li>
<li><a class="external text" title="http://www.boheme-magazine.net/php/modules.php?name=News&amp;file=article&amp;sid=260" href="http://www.boheme-magazine.net/php/modules.php?name=News&amp;file=article&amp;sid=260">Salvador Dalí: a Genius?</a>—Article from Bohème Magazine</li>
<li><a class="external text" title="http://www.ubu.com/sound/dali.html" href="http://www.ubu.com/sound/dali.html">UbuWeb: Salvador Dalí</a>—Interview and bank advertisement.</li>
<li><a class="external text" title="http://tierra.free-people.net/artes/paintings-salvador-dali.php" href="http://tierra.free-people.net/artes/paintings-salvador-dali.php">Biography and paintings of Salvador Dalí</a></li>
<li><a class="external text" title="http://www.ina.fr/archivespourtous/index.php?full=Salvador+Dal%ED&amp;action=ft" href="http://www.ina.fr/archivespourtous/index.php?full=Salvador+Dal%ED&amp;action=ft">Salvador Dalí in the INA Archives</a> — A collection of interviews and footage of Dalí in the French television</li>
<li><a class="external text" title="http://www.firstthings.com/onthesquare/?p=922" href="http://www.firstthings.com/onthesquare/?p=922">Article on Dalí&#8217;s religious faith</a></li>
<li><a class="external text" title="http://www.daliphoto.com" href="http://www.daliphoto.com/">The Salvador Dalí photo library 60.000 photos</a></li>
<li><a class="external text" title="http://tesla.liketelevision.com/liketelevision/tuner.php?channel=1099&amp;format=movie&amp;theme=guide" href="http://tesla.liketelevision.com/liketelevision/tuner.php?channel=1099&amp;format=movie&amp;theme=guide">Watch Un Chien Andalou</a> at LikeTelevision</li>
<li><a class="external text" title="http://www.salvador-dali.org/en_index.html" href="http://www.salvador-dali.org/en_index.html">Gala-Salvador Dalí Foundation English language site</a></li>
<li><a class="external text" title="http://www.salvadordalimuseum.org/index2.html" href="http://www.salvadordalimuseum.org/index2.html">St. Petersburg Dalí Museum</a></li>
<li><a class="external text" title="http://sapiens.ya.com/fagesdecliment/subpages/gibson1.htm" href="http://sapiens.ya.com/fagesdecliment/subpages/gibson1.htm">&#8220;The shameful life of Salvador Dalí&#8221; (the witches of Llers)&#8221;</a>.</li>
<li><a class="external text" title="http://www.salvador-dali.org/serveis/ced/articles/en_article6.html" href="http://www.salvador-dali.org/serveis/ced/articles/en_article6.html">Dalí and Fages: &#8220;that intelligent and most cordial of collaborations&#8221;</a></li>
<li><a class="external text" title="http://www.eulama.com/libreria/DALI.htm" href="http://www.eulama.com/libreria/DALI.htm">Dalí&#8217;s only literary work, &#8220;Hidden Faces&#8221;</a></li>
<li><a class="external text" title="http://www.hrc.utexas.edu/multimedia/video/2008/wallace/dali_salvador.html" href="http://www.hrc.utexas.edu/multimedia/video/2008/wallace/dali_salvador.html">Salvador Dali interviewed by Mike Wallace, April 19, 1958</a></li>
<li><a title="Espace Dalí" href="http://en.wikipedia.org/wiki/Espace_Dal%C3%AD">Espace Dalí</a>—The unique permanent exhibition in France (Museum &amp; Dalí Fine Art Galleries)</li>
<li><a class="external text" title="http://www.tate.org.uk/modern/exhibitions/daliandfilm/default.shtm" href="http://www.tate.org.uk/modern/exhibitions/daliandfilm/default.shtm">Dalí &amp; Film - Tate Modern, London</a></li>
<li><a class="external text" title="http://www.dali-interart.be/" href="http://www.dali-interart.be/">Museum-Gallery Xpo: Salvador Dalí, Marquis de Púbol</a> in Bruges</li>
</ul>
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		<title>Claude Monet</title>
		<link>http://www.oilpaintingsellers.com/claude-monet/</link>
		<comments>http://www.oilpaintingsellers.com/claude-monet/#comments</comments>
		<pubDate>Wed, 12 Nov 2008 06:57:39 +0000</pubDate>
		<dc:creator>oilpainting</dc:creator>
		
		<category><![CDATA[paint artists]]></category>

		<category><![CDATA[Claude Monet]]></category>

		<category><![CDATA[french]]></category>

		<category><![CDATA[Impressionist]]></category>

		<category><![CDATA[top30-artist]]></category>

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		<description><![CDATA[If the world really looks like that I will paint no more!.
- Claude Monet, flinging away a pair of glasses for which he had been fitted to correct a severe astigmatism.

Monet Claude (b. Nov. 14, 1840, Paris, Fr.&#8211;d. Dec. 5, 1926, Giverny)
French painter, initiator, leader, and unswerving advocate of the Impressionist style.  He is [...]]]></description>
			<content:encoded><![CDATA[<blockquote><p>If the world really looks like that I will paint no more!.<br />
- Claude Monet, flinging away a pair of glasses for which he had been fitted to correct a severe astigmatism.</p></blockquote>
<p><img src="http://upload.wikimedia.org/wikipedia/commons/thumb/3/33/Claude_Monet_1899_Nadar.jpg/200px-Claude_Monet_1899_Nadar.jpg" alt="" /><br />
<strong><a href="http://www.oilpaintingsellers.com/tag/Claude-Monet">Monet Claude</a></strong> (b. Nov. 14, 1840, Paris, Fr.&#8211;d. Dec. 5, 1926, Giverny)<br />
French painter, initiator, leader, and unswerving advocate of the <a href="http://www.oilpaintingsellers.com/tag/Impressionist">Impressionist</a> style.  He is regarded as the archetypal Impressionist in that his devotion to the ideals of the movement was unwavering throughout his long career, and it is fitting that one of his pictures Impression: Sunrise (Musée Marmottan, Paris; 1872)&#8211;gave the group his name.<span id="more-149"></span><br />
His youth was spent in Le Havre, where he first excelled as a caricaturist but was then converted to landscape painting by his early mentor Boudin, from whom he derived his firm predilection for painting out of doors. In 1859 he studied in Paris at the Atelier Suisse and formed a friendship with Pissarro. After two years&#8217; military service in Algiers, he returned to Le Havre and met Jongkind, to whom he said he owed `the definitive education of my eye&#8217;. He then, in 1862, entered the studio of Gleyre in Paris and there met Renoir, Sisley, and Bazille, with whom he was to form the nucleus of the Impressionist group. Monet&#8217;s devotion to painting out of doors is illustrated by the famous story concerning one of his most ambitious early works, Women in the Garden (Musée d&#8217;Orsay, Paris; 1866-67). The picture is about 2.5 meters high and to enable him to paint all of it outside he had a trench dug in the garden so that the canvas could be raised or lowered by pulleys to the height he required. Courbet visited him when he was working on it and said Monet would not paint even the leaves in the background unless the lighting conditions were exactly right.</p>
<p>During the Franco-Prussian War (1870-71) he took refuge in England with Pissarro: he studied the work of Constable and Turner, painted the Thames and London parks, and met the dealer Durand-Ruel, who was to become one of the great champions of the Impressionists. From 1871 to 1878 Monet lived at Argenteuil, a village on the Seine near Paris, and here were painted some of the most joyous and famous works of the Impressionist movement, not only by Monet, but by his visitors Manet, Renoir and Sisley. In 1878 he moved to Vétheuil and in 1883 he settled at Giverny, also on the Seine, but about 40 miles from Paris. After having experienced extreme poverty, Monet began to prosper. By 1890 he was successful enough to buy the house at Giverny he had previously rented and in 1892 he married his mistress, with whom he had begun an affair in 1876, three years before the death of his first wife. From 1890 he concentrated on series of pictures in which he painted the same subject at different times of the day in different lights&#8212;Haystacks or Grainstacks (1890-91) and Rouen Cathedral (1891-95) are the best known. He continued to travel widely, visiting London and Venice several times (and also Norway as a guest of Queen Christiana), but increasingly his attention was focused on the celebrated water-garden he created at Giverny, which served as the theme for the series of paintings on Water-lilies that began in 1899 and grew to dominate his work completely (in 1914 he had a special studio built in the grounds of his house so he could work on the huge canvases).</p>
<p>In his final years he was troubled by failing eyesight, but he painted until the end. He was enormously prolific and many major galleries have examples of his work.</p>
<p>Works by <strong><a href="http://www.oilpaintingsellers.com/tag/Claude-Monet">Monet Claude</a></strong><br />
<img src="http://www.ibiblio.org/wm/paint/auth/monet/early/monet.adresse.small.jpg" alt="sainte-adresse by monet" /><br />
Image Garden at Sainte-Adresse<br />
1867 (140 Kb); Oil on canvas, 98.1 x 129.9 cm (38 5/8 x 51 1/8 in); Metropolitan Museum of Art, New York</p>
<p><img src="http://www.ibiblio.org/wm/paint/auth/monet/early/magpie.small.jpg" alt="" /><br />
Magpie<br />
1868-69 (100 Kb); Musée d&#8217;Orsay, Paris</p>
<p><img src="http://www.ibiblio.org/wm/paint/auth/monet/first/monet.coquelicots.small.jpg" alt="" /><br />
Coquelicots (Poppies, Near Argenteuil)<br />
1873; Musée d&#8217;Orsay, Paris</p>
<p><img src="http://www.ibiblio.org/wm/paint/auth/monet/first/le-havre.small.jpg" alt="" /><br />
Fishing Boats Leaving the Harbor, Le Havre<br />
1874 (160 Kb); Oil on canvas, 60 x 101 cm (23 5/8 x 39 3/4&#8243;); Private collection</p>
<p><img src="http://www.ibiblio.org/wm/paint/auth/monet/later/monet.seine-argenteuil.small.jpg" alt="" /><br />
The Seine at Argenteuil</p>
<p><img src="http://upload.wikimedia.org/wikipedia/commons/thumb/5/5c/Claude_Monet%2C_Impression%2C_soleil_levant%2C_1872.jpg/220px-Claude_Monet%2C_Impression%2C_soleil_levant%2C_1872.jpg" alt="" /><br />
Impression, Sunrise (Impression, soleil levant) (1872/1873).</p>
<p>Artnews Articles and Exhibition Information about <strong><a href="http://www.oilpaintingsellers.com/tag/Claude-Monet">Monet Claude</a></strong></p>
<p><span style="font-size: xx-small; font-family: verdana,arial,helvetica;"><span style="font-size: x-small;"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10"><span class="font10b">National Academy of Professional Plein air Painters:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/01/26/27999.html">Atelier Monet: Summer Workshop 2001 in La Roche-Guyon (Paris)</a><br />
La Roche Guyon is located 65 km west of Paris and 5   kilometres from Giverny. You will be staying in one of   two Chambre d&#8217;hotes Normande in Giverny. Each of the   five rooms has its own shower. The Impressionists were the painters   of ligh&#8230; </span><br />
<span class="font10b">National Gallery of Australia:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/03/10/28213.html">Monet and Japan</a><br />
<em>The works of art that have been assembled for Monet &amp; Japan are truly remarkable, and the &#8230; </em></span> <em><br />
<span class="font10b">Speed Art Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2005/06/08/33070.html">Berthe Morisot: An Impressionist and Her Circle</a><br />
Along with Mary Cassatt, Morisot was the most well-known and successful female Impressionist painter and one of the most important woman artists of the nineteenth century. She was the first woman to join the artistic circle of the Impressionists&#8230; </span><br />
<span class="font10b">National Gallery of Canada:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/06/09/27067.html">Monet, Renoir, and the Impressionist Landscape</a><br />
The Impressionists&#8217; profound influence on French landscape painting is examined as the exhibition concludes with a look at works by other artists in th&#8230; </span><br />
<span class="font10b">En Plein Air:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/02/09/26547.html">Monet 2000 Excursion</a><br />
For a full-color brochure visit En Plein Air&#8217;s Web site at: http://www.epatours.com  or call En Plein Air directly:<br />
US : 301.961.1062<br />
Paris : (+33 1) 39 75 25 98  (phone/fax)<br />
Please mention this announcement when you call. &#8230; </span><br />
<span class="font10b">Queensland Art Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2002/02/18/29665.html">Belle-Ile: Monet, Russell and Matisse in Brittany</a><br />
In the late nineteenth century these artists              were all drawn to Belle-Île, off the coast of              Brittany, France, by their desire to capture              on canvas the island’s dramatic,              storm-tossed coastline&#8230; </span><br />
<span class="font10b">UPTOWN Cafe:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/04/20/26858.html">Show Me The Monet: A Celebration of the Life and Art of CLAUDE MONET, 1840-1926</a><br />
Lunch &amp; dinner creations from Monets                                                cooking journals</span></em><span class="font10"> will be produced by The UPTOWNs chef staff. Slide shows will accompany                                                           some ban&#8230; </span><br />
<span class="font10b">Art Gallery of New South Wales:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/11/29/29398.html">Belle-Ile: Monet, Russell and Matisse in Brittany</a><br />
Today, its population of 4,000 predominantly survive on tourism and fishing. The natural &#8230; </span><br />
<span class="font10b">Vancouver Art Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/08/31/27380.html">Impressionist Masterworks from the National Gallery of Canada</a><br />
The first Impressionist exhibition of 1874 exploded like a bombshell in the complacent world of French academic art. The young artists who participated in this show and the seven exhibitions that followed, had abandoned historical subje&#8230; </span><br />
<span class="font10b">Musee d&#8217;Orsay:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/11/06/26094.html">The Colours of the Sea</a><br />
The Musée d&#8217;Orsay organises an exhibition entitled                          The Colours of the Sea with Thalassa, le magazine                          de la mer, a weekly television programme with a                          maritime theme on </span><br />
<span class="font10b">National Academy ofProfessional Plein air Painters:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/10/20/26065.html">Summer Workshops 2000</a><br />
There will be 7 full days entirely devoted to painting with the medium of your choice.                                       La Roche-Guyon with its castle and white chalk cliff hanging above the Seine River                                      &#8230; </span><br />
<span class="font10b">Museum of Fine Arts, Houston:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/01/21/27949.html">Monet, Renoir, and the Impressionist Landscape</a><br />
The exhibition opens with an early landscape by Claude Monet, Rue de la Bavolle, Honfleur, placed within the context of the Realist landscape style &#8230; </span><br />
<span class="font10b">National Museum of Fine Arts:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2002/09/25/30322.html">Impressionism and the North</a><br />
There are many links between, mainly French, Impressionism and artists in the Nordic region. The exhibition shows paintings done by Paul Gauguin during his time in Copenhagen in the mid-1800s. In that same period, Danish artist Theodor Philipsen w&#8230; </span><br />
<span class="font10b">National Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/03/07/28195.html">Spirit of an Age: 19th-Century Paintings from the Nationalgalerie, Berlin</a><br />
The Nationalgalerie was designed to provide a showcase for contemporary German art. To&#8230; </span><br />
<span class="font10b">National Gallery of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/05/29/27022.html">The Impressionists at Argenteuil</a><br />
<em>The dazzling, lyrical paintings that make up this exhibition reflect the richness of the impressionists&#8217; responses to the Argenteuil site and the complex dialogue that developed among them as they studied&#8230; </em></span> <em><br />
<span class="font10b">Bergen Art Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/05/18/28571.html">Visions of Nature from Le Petit Palais in Paris</a><br />
The exhibition will take the visitor on a journey through some of the most outstanding pieces of European landscape painting from the seventeenth through the beginning of the twentieth century. The viewer will have an unique opportunity to take a&#8230; </span><br />
<span class="font10b">Philbrook Museum of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/08/17/27339.html">The Triumph of French Painting:   Masterpieces from Ingres to Matisse</a><br />
&#8230; </span><br />
<span class="font10b">Brooklyn Museum of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/07/08/25480.html">Public Programs - Impressionists in Winter</a><br />
&#8230; </span><br />
<span class="font10b">Everson Musuem of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/12/16/27835.html">Still Life Paintings from the Collection</a><br />
Lie’s painting did not engender the same puzzlement or derision as did                                       some of the works shown at the Armory by his more experimental colleagues                                       (Duchamp’s Nude Descendi&#8230; </span><br />
<span class="font10b">Brooklyn Museum of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/07/18/25481.html">Public Programs - Impressionists in Winter</a><br />
&#8230; </span><br />
<span class="font10b">National Museum of Modern Art, Kyoto:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/09/21/25859.html">Chefs - d&#8217;Oeuvre du Misee de l&#8217;Orangerie</a><br />
&#8230; </span><br />
<span class="font10b">Brooklyn Museum of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/06/24/25477.html">Public Programs - Impressionists in Winter</a><br />
&#8230; </span><br />
<span class="font10b">Albright-Knox Art Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/11/03/29319.html">The Triumph of French Painting: Masterpieces from Ingres to Matisse</a><br />
The exhibition is currently being presented at the Royal Academy of Art in London, England, before concluding with its visit to the Albright-Knox Art Gallery.  The exhibition has received critical accolades in each of its previous engagements. &#8230; </span><br />
<span class="font10b">Musee d&#8217;Orsay:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/09/29/25735.html">Theo van Gogh : art-dealer, collector,                          Vincent&#8217;s brother</a><br />
&#8230; </span><br />
<span class="font10b">Museum of Modern Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/11/03/26121.html">ModernStarts: Places</a><br />
Landscape painting between 1880 and 1920 ranged from idealized and allegorical depictions of nature, as seen in the &#8230; </span><br />
<span class="font10b">Van Gogh Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/03/02/28169.html">Impression: Painting Quickly in France, 1869-1890</a><br />
Art history generally &#8230; has neglected the hand. &#8230; The aim of this    exhibition is to reopen the question of manual dexterity and to reconsider    the physical intelligence of artists by directly confronting paintings that    are, in themse&#8230; </span><br />
<span class="font10b">L.A. County Museum of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/08/15/25803.html">Around Impressionism: French Paintings from the National Gallery of Art</a><br />
</span></em></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p>
<p><span class="font10">A major part of LACMA&#8217;s mission is to bring great art to our region, said Graham W. J. Beal, the museum&#8217;s director. We are delighted to share a special selection of the National Gallery’s renowned French paintings with the people of Los Angeles&#8230;. </span><br />
<span class="font10b">National Gallery:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/11/01/27651.html">Impression: Painting Quickly in France, 1860-1890</a><br />
Art history generally &#8230; has neglected the hand. &#8230; The aim of this exhibition is to reopen the question of manual dexterity and to reconsider the physical intelligence of artists by directly confronting paintings that are, in themselves, dir&#8230; </span><br />
<span class="font10b">Cincinnati Art Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2000/10/29/27639.html">European Masterpieces: Six Centuries of Paintings                                                                             from the National Gallery of Victoria, Australia</a><br />
This                                      exhibition, which make its world premiere                                      at the CAM, will travel the United States                                      while the </span> <a href="http://www.ngv.vic.gov.au/..."><br />
<span class="font10b">Denver Art Museum:</span> </a><span class="font10"><a href="http://www.absolutearts.com/artsnews/1999/08/14/25697.html">Impressionism: Paintings Collected by European Museums</a></span></p>
<p>Useful links about<strong><a href="http://www.oilpaintingsellers.com/tag/Claude-Monet"> </a></strong><a href="http://www.oilpaintingsellers.com/tag/Claude-Monet"><strong></strong></a><strong><a href="http://www.oilpaintingsellers.com/tag/Claude-Monet">Monet Claude</a></strong></p>
<ul>
<li><a class="external text" title="http://simile.mit.edu/timeline/examples/monet/monet.html" href="http://simile.mit.edu/timeline/examples/monet/monet.html">Life of Monet</a> a timeline of Monet&#8217;s life</li>
<li><a class="external text" title="http://www.intermonet.com/biograph/autobigb.htm" href="http://www.intermonet.com/biograph/autobigb.htm">Claude Monet by himself</a></li>
<li><a class="external text" title="http://www.kasrl.org/monet.html" href="http://www.kasrl.org/monet.html">Comparison of reproductions of Monet</a></li>
<li><a class="external text" title="http://giverny.org/monet/welcome.htm" href="http://giverny.org/monet/welcome.htm">Monet at Giverny</a></li>
<li><a class="external text" title="http://www.clarkart.edu/exhibitions/monet/index.cfm" href="http://www.clarkart.edu/exhibitions/monet/index.cfm">The Unknown Monet exhibition</a> - view sketchbooks</li>
<li><a class="external text" title="http://www.moodbook.com/history/impressionism/claude-monet-colors.html" href="http://www.moodbook.com/history/impressionism/claude-monet-colors.html">Details about Claude Monet&#8217;s cataract</a></li>
<li><a class="external text" title="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;GRid=5069" href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;GRid=5069">Photos of Monet&#8217;s grave</a></li>
<li><a class="external text" title="http://www.mootnotes.com/art/monet/" href="http://www.mootnotes.com/art/monet/">Claude Monet paintings, media &amp; interactive timeline</a></li>
</ul>
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		<title>Vincent Van Gogh</title>
		<link>http://www.oilpaintingsellers.com/vincent-van-gogh/</link>
		<comments>http://www.oilpaintingsellers.com/vincent-van-gogh/#comments</comments>
		<pubDate>Wed, 12 Nov 2008 03:20:51 +0000</pubDate>
		<dc:creator>oilpainting</dc:creator>
		
		<category><![CDATA[paint artists]]></category>

		<category><![CDATA[dutch]]></category>

		<category><![CDATA[Post-Impressionism]]></category>

		<category><![CDATA[top30-artist]]></category>

		<category><![CDATA[Vincent Van Gogh]]></category>

		<guid isPermaLink="false">http://www.oilpaintingsellers.com/?p=141</guid>
		<description><![CDATA[I have a terrible need of &#8212; dare I say the word? &#8212; religion. Then I go out at night to paint the stars&#8230;
- Vincent van Gogh, Arles, 1888

Biography:
Dutch artist, Vincent Van Gogh was born the son of Protestant minister. He adopted many different careers before finally devoting himself to painting. He was an employee [...]]]></description>
			<content:encoded><![CDATA[<blockquote><p>I have a terrible need of &#8212; dare I say the word? &#8212; religion. Then I go out at night to paint the stars&#8230;<br />
- Vincent van Gogh, Arles, 1888</p></blockquote>
<p><img src="http://upload.wikimedia.org/wikipedia/commons/thumb/3/38/VanGogh_1887_Selbstbildnis.jpg/187px-VanGogh_1887_Selbstbildnis.jpg" alt="Vincent van gogh" /></p>
<p>Biography:<br />
Dutch artist, <a href="http://www.oilpaintingsellers.com/tag/Vincent-Van-Gogh">Vincent Van Gogh</a> was born the son of Protestant minister. He adopted many different careers before finally devoting himself to painting. He was an employee of art dealers, a language teacher, student of practical evangelism, and a missionary. In 1881, he first developed his work in the traditional Dutch style. In 1886, he moved to Paris where he encountered Impressionism. Van Gogh’s life was plagued by series of unrequited love stories and rocky friendships. The most notable of these were his obsession with a French prostitute, to whom he sent his dismembered ear, and also his tumultuous relationship with fellow artist, Paul Gauguin. Mental illness, primarily schizophrenia and manic depression afflicted Van Gogh his entire adult life, resulting in frequent hospitalization and an early death. He produced some of his most famous pieces, including his Self-Portrait, in mental institutions in hospitals in Arles and Saint-Remy. After his release, he went to Auvers where he eventually shot himself and died two days later.<br />
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Work<br />
<a href="http://www.oilpaintingsellers.com/tag/vincent-van-gogh">Van Gogh</a> drew and painted water-colours while he went to school, though very few of these works survive, and his authorship is challenged for many claimed to be from this period. When he committed himself to art as an adult (1880), he started at the elementary level by copying the &#8220;Cours de dessin&#8221;, edited by Charles Bargue and published by Goupil &amp; Cie. Within his first two years he began to seek commissions, and in spring 1882, his uncle, Cornelis Marinus (owner of a renowned gallery of contemporary art in Amsterdam) asked him to provide drawings of the Hague; Van Gogh&#8217;s work did not prove up to his uncle&#8217;s expectations. Despite this, Uncle Cor (or &#8220;C.M. &#8221; as he was referred to by his nephews) offered a second commission, specifying the subject matter in detail, but he was once again disappointed with the result.</p>
<p>Nevertheless, Van Gogh persevered with his work. He improved the lighting of his atelier (studio) by installing variable shutters, and experimented with a variety of drawing materials. For more than a year he worked hard on single figures—highly elaborated studies in &#8220;black and white&#8221;, which at the time gained him only criticism. Nowadays they are appreciated as his first masterpieces. In spring 1883, he embarked on multi-figure compositions, based on the drawings. He had some of them photographed, but when his brother commented that they lacked liveliness and freshness, Vincent destroyed them and turned to oil painting. Already in autumn 1882, Theo had enabled him to do his first paintings, but the amount Theo could supply was soon spent. Then, in spring 1883, Vincent turned to renowned Hague School artists like Weissenbruch and Blommers, and received technical support from them, as well as from painters like De Bock and Van der Weele, both Hague School artists of the second generation. When he moved to Nuenen, after the intermezzo in Drenthe, he started various large size paintings, but he destroyed most of them himself. The Potato Eaters and its companion pieces, The Old Tower on the Nuenen cemetery and The Cottage, are the only ones that have survived. After a visit to the Rijksmuseum in Amsterdam, Vincent was aware that many faults of his paintings were due to a lack of technical experience. So he went to Antwerp, and later to Paris to improve his technical skill.<br />
This piece from the Hermitage Museum was painted six weeks before the artist&#8217;s death, at around eight o&#8217;clock on 16 June 1890, as astronomers determined by Venus&#8217;s position in the painting.[78]</p>
<p>More or less acquainted with impressionist and neo-impressionist techniques and theories, Van Gogh went to Arles to develop these new possibilities. But within a short time, older ideas on art and work reappeared: ideas like doing series on related or contrasting subject matter, which would reflect the purpose of art. Already in 1884 in Nuenen he had worked on a series that was to decorate the dining room of a friend in Eindhoven. Similarly in Arles, in spring 1888 he arranged his Flowering Orchards into triptychs, began a series of figures which found its end in The Roulin Family, and finally, when Gauguin had consented to work and live in Arles side by side with Vincent, he started to work on the The Décoration for the Yellow House, probably the most ambitious effort he ever undertook. Most of his later work is elaborating or revising its fundamental settings.</p>
<p>The paintings from the Saint-Rémy period are often characterized by swirls and spirals. The patterns of luminosity in these images have been shown to conform to Kolmogorov&#8217;s statistical model of turbulence. At various times in his life Van Gogh painted the view from his window; this culminated in the great series of paintings of the wheat field he could see from his adjoining cells in the asylum at Saint-Rémy.</p>
<p>Artnews Articles and Exhibition Information about Van Gogh:</p>
<p><span class="font10b">Appleton Museum of Art:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2001/11/08/29335.html">Homage to Van Gogh: International Artists Pay Tribute to a Legend</a><br />
The collection was started in 1985 with the intention on fulfilling Van Gogh’s hope of forming a community of artists in Arles, France. Little evidence remains of Van Gogh’s residence in the city. None of the paintings made during Van Gogh’s “Arle&#8230; </span><br />
<span class="font10b">Van Gogh Museum:</span> <span class="font10"><a href="http://www.absolutearts.com/artsnews/2002/02/11/29641.html">Van Gogh &amp; Gauguin</a><br />
The tale of the two artists who lived and worked together and fought each other is well known, but has never been told in the form of an exhibition. The exhibition looks in detail at the relationship between Van Gogh and Gauguin in the contex&#8230; </span><br />
<span class="font10b">Van